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First In Line

Sheet music
Original: Ein deutsches Requiem, Op. 45.

Translation: Moreover Brahms clearly saw his work as the latest in a line of Protestant Requiems stretching back to Luther.

Sheet music (Scorch)
Original: First in Line part 2. 6 beginner recorder or flute. Pete Peters. Solo instrument piano. Flute or recorder. Piano.

Translation: Only instrument plan. Plan.

Sheet music
Original: Caecilia. The melody and words are traditional in the Grand-Duchy of Luxembourg and probably in neighbouring areas of Germany.

Translation: the move on line 4 to the dominant might suggest the 19c. Anonymous. A cappella. Sacred , Sacred song for St. Cecilia 's Day..

Sheet music
Original: Rest. Published in The Charlestown Collection , 1803, p. Oliver Holden. A cappella. Sacred , Hymn Meter. 88. 88.

Translation: Doddridge ," 1702-1751, but these lyrics could be not be found in Doddridge's Hymns Founded on Various Texts , 1755. L.M.

Sheet music
Original: How long wilt thou forget me, Lord. ', these are not the first four stanzas of Psalm 13 in the New Version. Thomas Clark. 86.

Translation: which correspond to the first four verses of the psalm. Sacred , Hymn Meter. C.M. Language.

Sheet music
Original: This Advent moon. This anthem sets the first three stanzas of the poem Advent by the Victorian poet Christina Rossetti. A cappella.

Translation: , albeit with lines 5 and 6 of the third stanza coming first. Charles H. Giffen. Sacred , Anthem. Language. English.

Sheet music
Original: Regina Coeli, KV 276. All three settings were most likely written for use in the Salzburg cathedral.

Translation: Mozart's Regina Coeli , K. 276, is a Marian antiphon, a type of liturgical chant common in the Gregorian repertory.

Sheet music
Original: I heard the bells on Christmas Day. "Christmas Bells" was first set to music in 1872, but I feel that none of the setting.

Translation: The work includes an optional solo in the tenor line, which would also suit a baritone, or even a low alto. A cappella.

Sheet music
Original: Where is the moon. The piece has been written with flexibility in mind. Leanne Daharja Veitch. Piano. Secular , Unknown. Language.

Translation: The solo line would suit a soloist from the choir ranks, or a small group of mixed voices from second soprano and first alto.

Sheet music
Original: Miserere nostri. , which sing the same line throughout but half a bar apart. Thomas Tallis. A cappella. Sacred , Motet.

Translation: Miserere our. Meanwhile, however, a different and less audible canon is in progress between four of the five lower voices.

Sheet music
Original: Echo. In this piece, the synthesizer fulfils multiple musical elements that are often not present and.

Translation: or difficult to achieve in many choral settings, especially middle schools and smaller high schools.

Sheet music
Original: Bell Carol. Both lines can be sung by full choral sections. Leanne Daharja Veitch. A cappella. Secular , Carol. Language.

Translation: his first sopranos down to join the second sopranos during this section. English.

Sheet music
Original: Je ne puis vivre ainsy. Je ne puis vivre ainsy manages to implant an unusually high level of emotion in its text,. Antoine Busnois.

Translation: from the erotic plea to spend "one hour, or less, or more" with the woman in question,. A cappella. Secular, Song. Language. French.

Sheet music
Original: Gesang der Mönche. After each line is sung there is a brief pause, which contributes effectively to the somber atmosphere.

Translation: , Beethoven was suffering from a lingering illness, first contracted in October, 1816. Ludwig van Beethoven. A cappella.

Sheet music
Original: Opferlied, Opus 121b. The poem first appeared in 1790, so Beethoven may have known the text while he lived in Bonn.

Translation: Occasionally, he scribbled the last line, "The beauty about the good. , in his late manuscripts. , in 1823-4.

Sheet music
Original: I laid me down. The first section of this piece could be sung by a soloist, a small group of women, or all women. Maggie Furtak.

Translation: The "I will not be afraid" section is the only really difficult section in this piece. A cappella. Sacred , Anthem. Language. SSAATB.

Sheet music
Original: Music, when soft voices die. Philip Legge. a cappella when SATB.SATB, Piano when SATB. Secular , Partsong. Language. English.

Translation: Philip Law. SATB.SATB or SATB.

Sheet music
Original: Rumsfeld. The tune can be performed in the usual SATB choral fashion, but it is traditional for both the first line.

Translation: and the third line. to be sung by both men and women, doubled at the octave, which results in a very rich 6-part harmony.

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