Translation: The famous St. John hymn from which Guido d'Arezzo took the notes' names, but using another melody.
Translation: - according to Hymn Tune Index. Come thou long expected Jesus. Language. English.
Translation: Latin. SATB.
Translation: Transcribed from the Trent manuscript tr93. The time signature and the notes' values are as in the manuscript.
Translation: Another setting from Trent is here. The notes' values and colourings are as in the manuscript.
Translation: Transcribed from the Trent manuscript tr92. The the notes' values and the accidentals are as in the manuscript.
Translation: Latin. SAA. Transcribed from the Trent manuscript tr93. The notes' values are as in the manuscript.
Translation: A Sequentia transcribed from the Trent manuscript tr93. ATT.
Translation: From "Manvale choricanum ab utriusque sexus choricistis concupitum" by Giovanni Agostino Casoni, 1649.
Translation: All the three voices have the St. John's hymn text incipit only. Transcribed from the Trent manuscript tr89.
Translation: Transcribed from the Trent manuscript tr88. The keys, time signature, notes' values, accidentals and colourings are as in the manuscript.
Translation: A “sequentia” for the Ascension transcribed from the Trent manuscripts tr89. Language. ATT. 3 vs.
Translation: “De Beata Virgine sequentia” transcribed from the Trent manuscript tr93. The notes' values and colourings are as in the manuscript.
Translation: A “sequentia” for the Ascension transcribed from the Trent manuscripts tr93. Language. TB.
Translation: This is the Sequence and is used also during the Mass in the 15th September and as the anthem of Lent.
Translation: Ambrosian Advent hymn transcribed from the Trent manuscript tr88.
