Translation: M. Ravel. Vocalise-Habanera Consideration in the form of. Flute \u0026 Piano.
Translation: Study 1. by M. Carcassi (1792–1853). The 60. Classical. for Guitar.
Translation: Study 3. by M. Carcassi (1792–1853). The 60. Classical. for Guitar.
Translation: Study 7. by M. Carcassi (1792–1853). The 60. Classical. for Guitar.
Translation: Study 8. by M. Carcassi (1792–1853). The 60. Classical. for Guitar.
Translation: Study 9. by M. Carcassi (1792–1853). The 60. Classical. for Guitar.
Translation: Study 15. by M. Carcassi (1792–1853). The 60. Classical. for Guitar.
Translation: Study 1. by M. Giuliani (1781–1829). Opus 1. Classical. for Guitar.
Translation: Study 2. by M. Giuliani (1781–1829). Opus 1. Classical. for Guitar.
Translation: Study 4. by M. Giuliani (1781–1829). Opus 1. Classical. for Guitar.
Translation: Study 5. by M. Giuliani (1781–1829). Opus 1. Classical. for Guitar.
Translation: Study 6. by M. Giuliani (1781–1829). Opus 1. Classical. for Guitar.
Translation: Etude in A minor. by J. K. Mertz (1806–1856). Classical. for Guitar.
Translation: Study. by A. Scriabin (1872–1915). Op. 2, No.. 1. Classical. for Piano.
Translation: No. 14: Study. by F. Sor (1778–1839). The 35. Classical. for Guitar.
Translation: Etüde a-moll. by F. F. Chopin (1810–1849). Op. 10, no. 2. Romantic. for Piano.
Translation: Etude in F minor. by F. F. Chopin (1810–1849). Op. 10, no. 9. Romantic. for Piano.
Translation: Etude in C minor. by F. F. Chopin (1810–1849). Opus 10, No. 12. Romantic. for Piano.
