Translation: Number of voices. John Hugh McNaughton. Published. Description. This hymn.
Translation: Grieg, Edvard.
Translation: Moreover Brahms clearly saw his work as the latest in a line of Protestant Requiems stretching back to Luther.
Translation: Sacred , Anthem. Language. English. , also for SATB and TTBB.
Translation: This tune was published on p235 of Thomas Hawkes' A Collection of Tunes , Watchet. Samuel Chapple. A cappella. Sacred , Hymn.
Translation: Original text and translations may be found at. Charles H. Giffen. Organ or Piano. Sacred , Hymn Meter. 77.
Translation: A cappella. Sacred , Hymn Meter. L.M. Language. English.
Translation: The work is suitable for a cappella performance, OR piano accompaniment, OR harpsichord, OR guitar OR lute. Leanne Daharja Veitch.
Translation: This is one of a series of flower songs I have written that are available here at CPDL.. Secular , Partsong. Language. SSATB.
Translation: The original lyric is reportedly a Spanish sonnet which begins, "No me mueve, mi Dios, para quererte".
Translation: A cappella. Secular , Madrigal. English. SSATTB.
Translation: The text is taken from no. 23 of Handel's oratorio Susanna , with some alteration. The original is shown in.
Translation: Secular , Canon. Language. 3 equal voices. To be sung in a round. " Close by having each part stop after it has sung through three times.
Translation: Anyone who loves the music of this period will enjoy this mass setting and will find interesting points to discover.
Translation: Charles Hubert Hastings Parry. Plan. Secular , Art song. Solo Tenor. 1828-1909.
Translation: In the tune book it is set to Come Lord and help us to rejoice. Here I have used Medley's O could I speak the matchless worth.
Translation: Basso continuo. Secular, Air. Language. English. SB. Duet taken from Orpheus Britannicus , published 1721.
Translation: The SATB arrangement is of the solo version, but is not by Purcell. Original text and translations. Language.
