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Perfect Two

Sheet music (Scorch)
Twelve Bar Blues Progression in E. Perfect 5th. Pattern Two Alternate Fill. Major 6th. John Force. Voice guitar.
Sheet music (Scorch)
Twelve Bar Blues Progression in E. Perfect 5th. Pattern Two. Major 6th. John Force. Voice guitar.
Sheet music
Original: O quam glorifica II. two different versions. another anonymous setting is found in Tr. 92. Anonymous. A cappella. Language. Latin.

Translation: The time signatures, notes' values and colourings are as in the manuscript, the perfect notes are dotted. SST or SAT.

Sheet music
Original: Magnificat II. The 8th verse is for 4 voices with two "Superius" voices. Anonymous. A cappella. Sacred , Motet. Language. Latin. STB.

Translation: Transcribed from the Trent manuscript tr89. Where the time signature is missing a "tempus" is assumed accordingly with the context.

Sheet music
Original: Magnificat. a number of the verses are for two equal voices. tr87. Anonymous. A cappella. Sacred , Evening Canticles. Language. SAT.

Translation: Latin. Alternatim setting transcribed from the Trent manuscript tr87.

Sheet music
Original: Pucelle. The time signatures and the notes' values are as in the manuscript, the perfect notes have been dotted. Anonymous. unknown.

Translation: The manuscript give the choice between two different Contra. Secular , Rondeau. Language. Unspecified. ATT. The text is missing.

Sheet music
Original: Gaude Dei genitrix. Anonymous. unknown. Sacred , Antiphon. Language. Latin. AATT. Transcribed from the Trent manuscript tr92.

Translation: The complete absence of the text in the Tenor and Contra may suggest an intrumental performance of these two voices.

Sheet music
Original: Odas clangat - Jesse produxit. There are only two text incipit. Anonymous. A cappella. Sacred , Motet. Language. Latin. SSTT.

Translation: Transcribed from the Trent manuscript tr89. The coloured notes are either hemiolæ or in “proportio sesquialtera”.

Sheet music
Original: Ave Maria. fewer melismas, parts set with just two voices. Josquin des Prez. A cappella. Sacred , Motet. Language. Latin. SATB.

Translation: Even today, it is considered one of the most nearly perfect compositions of its era.

Sheet music
Original: Magnificat. a number of the verses are for two equal voices. tr87. Anonymous. A cappella. Sacred , Evening Canticles. Language. SAT.

Translation: Latin. Alternatim setting transcribed from the Trent manuscript tr87.

Sheet music
Original: Kyrie. The third voice has to be choosen between the two middle voices. making two versions. Reginald Libert. unknown.

Translation: Sacred , Mass. Language. Ancient Greek. Transcribed from the Trent manuscript tr92, this Kyrie has to be sung in polyphony throughout.

Sheet music
Original: Dilexisti iustitiam. The 2nd and 3rd verses are written for two voices only, the voice in “ faulx bourdon” is editorial. A cappella.

Translation: John Brassart. Sacred , Introit for Common of Several Virgins. very recently reassigned to Baptism of the Lord. Language. Latin. SAT.

Sheet music
Original: O taste and see. Charles H. Giffen. A cappella. Sacred , Antiphon , Motet. Language. English. ATB. from Psalm 34.

Translation: This is the Communion Antiphon with Psalm verses. for the 14th Sunday in Ordinary Time or ad libitum use.

Sheet music
Original: Gustate et videte. Charles H. Giffen. A cappella. Sacred , Motet , Communion. Language. Latin. ATB. Vulgate.

Translation: This is the Communion Antiphon with Psalm verses, from Psalm 33. for the Eighth Sunday after Pentecost or ad libitum use.

Sheet music
Original: Ave Maria. fewer melismas, parts set with just two voices. Josquin des Prez. A cappella. Sacred , Motet. Language. Latin. SATB.

Translation: Even today, it is considered one of the most nearly perfect compositions of its era.

Sheet music
Original: Ave verum corpus, á 5. Josquin des Prez. A cappella. Sacred , Motet , Eucharistic song. Language. Latin. The fifth voice. Altera vox.

Translation: This motet is in three parts, appearing as No. 26 of Cantiones Triginta Selectissimae.

Sheet music
Original: Sanctus. Sanctus with two tropes transcribed from the Trent manuscripts tr87. Johannes Brassart. A cappella. Sacred , Mass. Language.

Translation: is not the PERFECT semibrevis that equals the former brevis, as usual, but is the IMPERFECT semibrevis instead. John Brassart. Latin.

Sheet music
Original: Gloria - Spiritus et alme. Two sections are for four voices and several sections are for a boys' choir. Bourgois. unknown. Language.

Translation: Sacred , Mass. Latin. ATT. Gloria with the trope "Spiritus et alme" transcribed from the Trent manuscripts tr87 and tr88.

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