Translation: Griffin choice.
Translation: Mass.
Translation: Excerpt from the brief Mass n7. De Rossi, Luke.
Translation: the “tempus perfectum” has been assumed from the context and the perfect notes and rests have been dotted. A cappella. Language.
Translation: with the later addition of two alternative Kyrie and an Agnus Dei to make it a Roman rite full cycle. Gloria, Credo and Sanctus.
Translation: The middle voice is derived from the Superius, a 4th below, following the prescription “faburton”. A cappella. Language. Latin. SAT.
Translation: A cappella. Language. Latin. SAT.
Translation: Ancient Greek. ATT. 3 vs. The notes' values within the "ligaturæ" are as follows.
Translation: The Kyrie is troped, the Christe has the 4th verse of the trope while the 5th would be expected.
Translation: Robert de Févin. A cappella. Greek. TBBB. The time signatures, notes' values and colourings are as in the original edition.
Translation: Carl Friedrich Christian Fasch. Basso continuo. Greek. SATB.SATB.SATB.SATB. This work is an early till now unpublished version of the 1.
Translation: Where the time signature is missing the signature within square brackets is assumed from the context. Johannes Tinctoris. Language.
Translation: Transcribed from the Trent manuscript tr92, this Kyrie has to be sung in polyphony throughout. making two versions.
