Translation: As the only medieval Polish hymn in Latin it was included in Polish hymn-books in the 17th century. 1253.
Translation: SSATB. From Motecta quinque vocum. , Venice, 1604.
Translation: Part of the Sacræ Cantiones Liber Secundus, whose sextus and basses part books were lost and are reconstructed.
Translation: SATB. Here is a note by Mick Swithinbank on this rather obscure text.
Translation: ‘Quam pulchra es’ is a duet-motet, first published in 1635 and the last in a book of motets for two voices. Giovanni Rovetta.
Translation: Eucharistic motet for the feast of Corpus Christi from Motecta quinque vocum. , Venice, 1604.
Translation: #1 of book of 20 motets published in 1546 in Venice by Antonio Gardano. Cristobal de Morales. 42.
Translation: Transcribed from "The Third Book of Divine Lodi Musical". Basso Tenor & Contralto”.
Translation: Transcribed from the "Third Book of Divine Lodi Musical".
Translation: Transcribed from "the Third Book of Divine Lodi Musical".
Translation: Transcribed from "The Third Book of Divine Lodi Musical". "A Doi Low. The coloured notes are “hemiolæ”.
Translation: Transcribed from "The Third Book of Divine Lodi Musical". “A Una voce Tenor ouero Canto”.
Translation: Transcribed from "The Third Book of Divine Lodi Musical". "A A voice Contralto".
Translation: Transcribed from "The Third Book of Divine Lodi Musical". “A Una doi Contralti”.
Translation: Transcribed from "The Third Book of Divine Lodi Musical". "A Doi Tenori". The original bar division of the Partitura is preserved.
Translation: Transcribed from "The Third Book of Divine Lodi Musical". Doi Soprani ouero Tenori & Basso”, “Al M.R. Sig. mio Patron Offer.
