Translation: Sheppard sets the second and fourth verses, the odd verses being sung as plainchant. Original text and translations.
Translation: This is a setting of the second stanza of the hymn Veni Creator Spiritus with the. Language. SATB.
Translation: Other verses of the hymn published in Hymnodia Sionia include. A cappella. Sacred , Motet. Latin. SS.
Translation: This setting of the sixth verse of Veni Creator Spiritus is #101 from Praetorius's collection Hymnodia Sionia. TTB.
Translation: Other verses of the hymn published in Hymnodia Sionia include. Michael Praetorius. Sacred , Motet. Language. Latin. SATTB.
Translation: This setting of the seventh verse of Veni Creator Spiritus is #108 from Praetorius's collection Hymnodia Sionia.
Translation: Other verses of the hymn published in Hymnodia Sionia include. A cappella. Sacred , Motet. Language. SATTB.
Translation: The added stanza from the hymn 'Veni Creator Spiritus' further enhances this comforting thought. Sending.
Translation: A wonderful addition to your celebration of Pentecost, this festive hymn setting is flexible and creative. Choir sheet music.
Translation: Pentecost text by John D. Thornburg quoting both the text and tune "Veni Creator Spiritus. Advanced. From Christus.
Translation: This classic setting of the chant veni creator spiritus is in a quasi-metered format, scored for SATB voices and organ.
Translation: Piano Accompaniment sheet music. Composed by Christopher Tye. 1505-1572.
Translation: Hymns, Whitsun. Hymns, Whitsun. Johann Ernst Eberlin. Voice sheet music. B-Flat Trumpet sheet music. Choir sheet music.
Translation: Veni Creator Spiritus 3006101. Hymn settings, Easter and Eastertide. For SATB choir. B-Dur. B-flat major.
Translation: Handbell sheet music. Percussion sheet music. Seasonal Intradas composed by John Yarrington. For handbells. 3 octaves.
Translation: Here is another selection from the series of introit hymns by Lynn Trapp and textual contributions from Delores Dufner. Beginning.
Translation: The original hymn then sounds in the inner voices, and the work concludes with a restatement of the opening motifs. Mixed Voices.