Translation: A cappella. Language. Latin. STTT. The time signatures, notes' values and colourings are as in the manuscript.
Translation: of the Gregorian chant Mode 3 hymn text, it being understood that the even-numbered stanzas would be chanted. A cappella. 88.
Translation: Thomas Jarman. Basso continuo. Language. English.
Translation: the evening hymn is Ere I sleep, for every favour , set by Thomas Jarman. SATB.
Translation: The harmonizations of the even numbered verses are essentially the same as the composer's Creator of the stars of night. A cappella.
Translation: Original clefs of the voice parts are treble, alto, tenor, and bass.
Translation: Sacred , Motet. Language. Latin. AATTBB. 7th-8th cent.
Translation: SATB.
Translation: Ending repeats canon above Gregorian tone VIIIG, one of the set used to sing the Magnificat in Latin. SATB. sometimes divisi.
Translation: Christ, you are the bright day. Christe who are lux and dies. This arrangement with two alternatim settings. for SAB and SA.
Translation: and the soprano and bass of this tune were both published in George Wither's The Hymnes and Songs of the Church.
Translation: Alternatim setting with the same polyphony repeated for each of the three even verses.
Translation: Visitation hymn from the Trent manuscript tr89, copied at Trento between 1455 and 1465, and containing 15th century repertoire.
Translation: A “sequentia” for the Assumption of the Virgin Mary transcribed from the Trent manuscript tr93.
Translation: The polyphonic setting is on the even verses only, they are to be sung “alternatim” with the Gregorian odd verses.
Translation: The text underlay is only to the Superius. A cappella. Language. Latin. ATB.
Translation: Miserable even do on-site. as a monody and finally, in 1640, as a sacred hymn. Claudio Monteverdi. A cappella. Italian. SATTB.
