Translation: The famous St. John hymn from which Guido d'Arezzo took the notes' names, but using another melody.
Translation: English. Probably based on a traditional Welsh carol or other popular tune.
Translation: Transcribed from the Trent manuscript tr93. The time signature and the notes' values are as in the manuscript.
Translation: A cappella. Latin. STTB. This 4-voice setting of the odd verses of the Easter “ sequentia ” is transcribed from the Trent manuscript tr89.
Translation: Transcribed from the Trent manuscript tr92. The the notes' values and the accidentals are as in the manuscript.
Translation: SAA. Transcribed from the Trent manuscript tr93. The time signature is missing, the “tempus perfectum” has been assumed from the context.
Translation: J. Ashley Hall arrangement of anonymous hymn tune, with Erik Satie 's Gymnopedie No. 1.
Translation: A Sequentia transcribed from the Trent manuscript tr93. The time signatures, notes’ values and colourings are as in the manuscript.
Translation: From "Manvale choricanum ab utriusque sexus choricistis concupitum" by Giovanni Agostino Casoni, 1649.
Translation: All the three voices have the St. John's hymn text incipit only. Transcribed from the Trent manuscript tr89.
Translation: Transcribed from the Trent manuscript tr88. The keys, time signature, notes' values, accidentals and colourings are as in the manuscript.
Translation: A “sequentia” for the Ascension transcribed from the Trent manuscripts tr89. Only the “a” part.
Translation: “De Beata Virgine sequentia” transcribed from the Trent manuscript tr93. The notes' values and colourings are as in the manuscript.
