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A Parting Blessing

Sheet music
Original: William Byrd. Parts. and William Leighton's The teares or lamentacions of a sorrowfull soule. A feigned friend.

Translation: even finer Turn our captivity , both six-part pieces displaying every facet of Byrd's incomparable contrapuntal art.

Sheet music
A Parting Blessing. Voice.
Sheet music (PDF)
Original: Une vierge pucelle. Livre de musique dédié à la Très Sainte Vierge. Première partie. Scores. Gigault, Nicolas.

Translation: A virgin virgin. Book dedicated music to the Blessed Virgin. Part.

Sheet music (PDF)
Original: 20. Madrigaletti a 3 voci. Scores and Parts. O sia tu benedetta. Brachrogge, Hans.

Translation: O blessed be thou.

Sheet music
Original: Selig sind die Toten, SWV 391. A cappella or Instruments. colla parte. Heinrich Schütz. and Basso continuo ad lib. Language.

Translation: Blessed are the dead, SWV 391. glue part. Sacred , Anthem. German. SSATTB. No. .

Sheet music
Original: Selig sind die Toten, SWV 391. A cappella or Instruments. colla parte. Heinrich Schütz. and Basso continuo ad lib. Language.

Translation: Blessed are the dead, SWV 391. glue part. Sacred , Anthem. German. SSATTB. No. .

Sheet music
Original: Ab ortu solis. A cappella. Motet in two parts. Tract for Votive Mass of the Blessed Sacrament. William Byrd. Language.

Translation: Sacred , Motet , Eucharistic song. Latin. Prima pars. Secunda pars.

Sheet music
Original: Blessed be the God and Father. Parts for either two treble soloists or a divided treble line. Samuel Sebastian Wesley.

Translation: Composed for Easter Sunday evensong at Hereford Cathedral, 1834, when only trebles and a single bass voice were available. Organ.

Sheet music
Original: Thus art thou blest that fearest God. A cappella. John Mundy. Sacred , Motet. Language. English. SAT. No. 5 in Songs and Psalmes.

Translation: Part 2 of a 2-part motet, the 1st part being Blessed art thou that fearest God.

Sheet music
Original: Blessed art thou that fearest God. A cappella. John Mundy. Sacred , Motet. Language. English. SAT. No. 4 in Songs and Psalmes.

Translation: Part 1 of a 2-part motet, the 2nd part being Thus art thou blest that fearest God.

Sheet music
Original: Adoramus te, Christe. A cappella. Charles H. Giffen. Sacred , Antiphon. Languages. Latin , English. SA. Except for the melisma.

Translation: run of eighth notes. Both Latin and English.

Sheet music
Original: O Blessed retirement. A cappella. A 5 part glee. John Wall Callcott. originally. 1774-1858. Secular , Glee.

Translation: Piano accompaniment added by William Horsley. Language. English. ATTBB.

Sheet music
Original: Forgive blessed shade. A cappella. John Wall Callcott. originally. Piano accompaniment added by William Horsley. 1774-1858.

Translation: A three part sacred glee on the text of an epitaph originally from a gravestone in Brading, Hampshire, England. SSB.

Sheet music
Original: O salutaris hostia. A simple setting of a hymn for the blessed sacrament by Thomas von Aquin. Christoph Dalitz. Organ.

Translation: The piece can be sung with only two solo voices, or as well with several voices per part. Sacred , Hymn , Eucharistic song. Language.

Sheet music
Original: Long did the patient peasants toil. A cappella. in Rippon's Selection, Hymn 505 2nd part. A version of this tune.

Translation: with instrumental symphonies was also included by Clark in his book A Fourth Set of Psalm Tunes. Thomas Clark. Sacred , Hymn Meter.

Sheet music
Original: Beata viscera. A cappella. Could also be used as the first part of the 7th Responsory at Matins of the Nativity. William Byrd.

Translation: Sacred , Motet , Communion for Nativity of the BVM. Language. Latin. SATTB or ATTBarB.

Sheet music
Original: Senex puerum portabat. A cappella. Sacred , Motet , Antiphon at 1st Vespers of the Purification of the Blessed Virgin Mary.

Translation: Two part motet. Giovanni Pierluigi da Palestrina. Language. Latin. SSATB. Prima pars. Secunda pars.

Sheet music
Original: Hymn to the Blessed Virgin Mary. A cappella. Christopher Upton. Sacred , Anthem. Language. Latin. SSAATTBB.

Translation: The bass and alto parts do not divide until the last few bars, while the soprano and tenor divisi are more substantial.

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