Translation: 25 Progressive Studies, No. 6. by F. Sor (1778–1839). Baroque. for Guitar.
Translation: 25 Progressive Studies, No. 7. by F. Sor (1778–1839). Baroque. for Guitar.
Translation: 25 Progressive Studies, No. 8. by F. Sor (1778–1839). Baroque. for Guitar.
Translation: 25 Progressive Studies, No. 9. by F. Sor (1778–1839). Baroque. for Guitar.
Translation: 25 Progressive Studies, No. 10. by F. Sor (1778–1839). Baroque. for Guitar.
Translation: 25 Progressive Studies, No. 11. by F. Sor (1778–1839). Baroque. for Guitar.
Translation: 25 Progressive Studies, No. 12. by F. Sor (1778–1839). Baroque. for Guitar.
Translation: 25 Progressive Studies, No. 13. by F. Sor (1778–1839). Baroque. for Guitar.
Translation: Six Progressive Studies: No. I. by F. Knjze (1784–1840). Classical. for Classical Guitar.
Translation: Six Progressive Studies: No. II. by F. Knjze (1784–1840). Classical. for Classical Guitar.
Translation: Six Progressive Studies: No. III. by F. Knjze (1784–1840). Classical. for Classical Guitar.
Translation: Six Progressive Studies: No. IV. by F. Knjze (1784–1840). Classical. for Classical Guitar.
Translation: Six Progressive Studies: No. V. by F. Knjze (1784–1840). Classical. for Classical Guitar.
Translation: Six Progressive Studies: No. VI. by F. Knjze (1784–1840). Classical. for Classical Guitar.
Translation: Guitar-Skole no. 7 : Andante (Studies in Style, no. 3) . by J. K. Mertz (1806–1856). Classical. for Guitar.
Translation: Study 1. by M. Carcassi (1792–1853). The 60. Classical. for Guitar.
Translation: Study 3. by M. Carcassi (1792–1853). The 60. Classical. for Guitar.
Translation: Study 7. by M. Carcassi (1792–1853). The 60. Classical. for Guitar.
