Translation: Study 15. by M. Carcassi (1792–1853). The 60. Classical. for Guitar.
Translation: Study 1. by M. Giuliani (1781–1829). Opus 1. Classical. for Guitar.
Translation: Study 2. by M. Giuliani (1781–1829). Opus 1. Classical. for Guitar.
Translation: Study 4. by M. Giuliani (1781–1829). Opus 1. Classical. for Guitar.
Translation: Study 5. by M. Giuliani (1781–1829). Opus 1. Classical. for Guitar.
Translation: Study 6. by M. Giuliani (1781–1829). Opus 1. Classical. for Guitar.
Translation: Six Progressive Studies: No. I. by F. Knjze (1784–1840). Classical. for Classical Guitar.
Translation: Six Progressive Studies: No. III. by F. Knjze (1784–1840). Classical. for Classical Guitar.
Translation: Six Progressive Studies: No. IV. by F. Knjze (1784–1840). Classical. for Classical Guitar.
Translation: Six Progressive Studies: No. V. by F. Knjze (1784–1840). Classical. for Classical Guitar.
Translation: Six Progressive Studies: No. VI. by F. Knjze (1784–1840). Classical. for Classical Guitar.
Translation: 60 Studies for Low Horn. by G. Kopprasch (c.1800–c.1833). Op.6. Classical. for Horn.
Translation: Guitar-Skole no. 7 : Andante (Studies in Style, no. 3) . by J. K. Mertz (1806–1856). Classical. for Guitar.
Translation: Etude in A minor. by J. K. Mertz (1806–1856). Classical. for Guitar.
Translation: Study. by A. Scriabin (1872–1915). Op. 2, No.. 1. Classical. for Piano.
Translation: No. 14: Study. by F. Sor (1778–1839). The 35. Classical. for Guitar.
Translation: Etude in F minor. by F. F. Chopin (1810–1849). Op. 10, no. 9. Romantic. for Piano.
Translation: Study C-Dur. by F. F. Chopin (1810–1849). Opus 10, No. 1. Romantic. for Piano.