Translation: Six Progressive Studies: No. I. by F. Knjze (1784–1840). Classical. for Classical Guitar.
Translation: Six Progressive Studies: No. II. by F. Knjze (1784–1840). Classical. for Classical Guitar.
Translation: Six Progressive Studies: No. III. by F. Knjze (1784–1840). Classical. for Classical Guitar.
Translation: Six Progressive Studies: No. IV. by F. Knjze (1784–1840). Classical. for Classical Guitar.
Translation: Six Progressive Studies: No. V. by F. Knjze (1784–1840). Classical. for Classical Guitar.
Translation: Six Progressive Studies: No. VI. by F. Knjze (1784–1840). Classical. for Classical Guitar.
Translation: Guitar-Skole no. 7 : Andante (Studies in Style, no. 3) . by J. K. Mertz (1806–1856). Classical. for Guitar.
Translation: Study 1. by M. Carcassi (1792–1853). The 60. Classical. for Guitar.
Translation: Study 3. by M. Carcassi (1792–1853). The 60. Classical. for Guitar.
Translation: Study 7. by M. Carcassi (1792–1853). The 60. Classical. for Guitar.
Translation: Study 8. by M. Carcassi (1792–1853). The 60. Classical. for Guitar.
Translation: Study 9. by M. Carcassi (1792–1853). The 60. Classical. for Guitar.
Translation: Study 15. by M. Carcassi (1792–1853). The 60. Classical. for Guitar.
Translation: Study 1. by M. Giuliani (1781–1829). Opus 1. Classical. for Guitar.
Translation: Study 2. by M. Giuliani (1781–1829). Opus 1. Classical. for Guitar.
Translation: Study 4. by M. Giuliani (1781–1829). Opus 1. Classical. for Guitar.
Translation: Study 5. by M. Giuliani (1781–1829). Opus 1. Classical. for Guitar.
Translation: Study 6. by M. Giuliani (1781–1829). Opus 1. Classical. for Guitar.
