Sheet music $9.95

Original

Lukas-Passion. Georg Philipp Telemann. Voice sheet music. Choir sheet music. Piano and Keyboard sheet music. Violin Solo sheet music.

Translation

Lukas-Passion. Georg Philipp Telemann. Voice sheet music. Choir sheet music. Piano and Keyboard sheet music. Violin Solo sheet music.

Original

Lukas-Passion composed by Georg Philipp Telemann. 1681-1767. Edited by Felix Schroeder. Arranged by Felix Schroeder. For STB vocal soli, SATB choir, flute, oboe, oboe d'amore, violin soloist, 2 violin, viola, basso continuo,. bassoon. Stuttgart Urtext Edition. Score available separately - see item CA.3949500. Passions, Lent and Passiontide, Holy Week. Violin 2 part. Language. German. English. Composed 1744. TVWV 5. 29. 28 pages. Published by Carus Verlag. CA.3949513. ISBN M-007-05653-7. With Language. German. English. Passions, Lent and Passiontide, Holy Week. Of the five surviving St. Luke Passions by Telemann, this first printing of the Passion of 1744 distinguishes itself first with, aside from expressive arias, the dramatic choruses. In contrast to his other Passions, Telemann only uses three chorales here. as an opening, during the scene on the Mount of Olives, and as a closing. This setting of the Passion is an full-evening of music of only moderate difficulty and moderate scoring requirements.

Translation

Lukas-Passion composed by Georg Philipp Telemann. 1681-1767. Edited by Felix Schroeder. Arranged by Felix Schroeder. For STB vocal soli, SATB choir, flute, oboe, oboe d'amore, violin soloist, 2 violin, viola, basso continuo,. bassoon. Stuttgart Urtext Edition. Score available separately - see item CA.3949500. Passions, Lent and Passiontide, Holy Week. Violin 2 part. Language. German. English. Composed 1744. TVWV 5. 29. 28 pages. Published by Carus Verlag. CA.3949513. ISBN M-007-05653-7. With Language. German. English. Passions, Lent and Passiontide, Holy Week. Of the five surviving St. Luke Passions by Telemann, this first printing of the Passion of 1744 distinguishes itself first with, aside from expressive arias, the dramatic choruses. In contrast to his other Passions, Telemann only uses three chorales here. as an opening, during the scene on the Mount of Olives, and as a closing. This setting of the Passion is an full-evening of music of only moderate difficulty and moderate scoring requirements.