Composers

Georg Philipp Telemann

Voice
Violin
Orchestra
Mixed chorus
String ensemble
Soprano
Bass
Flute
Tenor
Alto
Religious music
Cantatas
Sacred cantatas
Sonata
Concerto
Suite
Overture
Quartet
Secular cantatas
Trio
by popularity

#

12 Fantasias for Solo Flute12 Fantasias for Solo Violin12 Fantasias for Viol without Bass, TWV 40:26-3712 Marches héroiques 'Heldenmusik', TWV 50:31-4212 Quadri 'Paris Quartets'12 Solos à violon ou traversiere avec la basse chiffrée12 Sonate Metodiche18 Canons Mélodieux, TWV 40:118-12324 Oden, TWV 25:86-1093 Duets3 Trietti methodichi e 3 Scherzi36 Fantaisies pour le clavessin, TWV 33:1-364 Concerti for 4 Violins, TWV 40:201-20443 Songs6 Concerts et 6 Suites6 Moralische Kantaten, TWV 20:17-226 Moralische Kantaten, TWV 20:23-286 Moralische Kantaten, TWV 20:29-346 Overtures for Clavier, TWV 32:5-106 Quadri6 Quatuors ou Trios6 Sonatas, TWV 40:124-1296 Sonates à violon seul accompagné par le clavessin6 Sonates corellisantes6 Suonatine per violino e cembalo6 Trio Sonatas9 Sonatas for 2 Flutes, TWV 40:141-149

A

Abscheuliche Tiefe des großen Verderbens, TWV 1:1Ach bleib mit deinem Worte, TWV 1:3Ach ewiges Wort, in Herz und Munde, TWV 1:9Ach Gott! dein Zion klagt und weint, TWV 1:10Ach Gott! es geht gar übel zu, TWV 1:12Ach Gott! Wie beugt der Eltern herzegeliebter Kinder, TWV 1:15aAch Gott, du bist gerecht, TWV 1:11Ach Gott, vom Himmel sieh darein, TWV 1:14Ach Gott, wie manches Herzeleid, TWV 1:21Ach Herr strafe mich nicht, TWV 7:1Ach Herr, strafe mich nicht, TWV 7:3Ach Not! Wenn Gottes Hand, TWV 1:30Ach reiner Geist, TWV 1:30aAch sagt mir nichts von Gold und Schätzen, TWV 1:31Ach Seele, hungre, dürste, TWV 1:31aAch wie nichtig ach wie flüchtig, TWV 4:6Ach, mein Herze schwimmt in Blute, TWV 1:29Ach, wo bin ich hingeraten, TWV 1:41Ach, wo flieh' ich Armer hin, TWV 1:43Ach, wo kömmt doch das böse Ding her, TWV 1:45Alle eure Sorgen werfet auf den Herrn, TWV 1:71Alle, die gottselig leben wollen, TWV 1:54Allein Gott in der Höh sei Ehr, TWV 31:3Allein Gott in der Höh sei Ehr, TWV 31:4Alleluja singet dem Herrn ein neues Lied, TWV 7:4Aller Augen warten auf dich, TWV 1:65Also hat Gott die Welt geliebet, TWV 1:74Also hat Gott die Welt geliebet, TWV 1:76Also hat Gott die Welt geliebet, TWV 1:81Also hat Gott die Welt geliebet, TWV 1:82Also hoch und also sehr, TWV 1:87Alter Adam, du mußt sterben, TWV 1:90aAmen. Lob und Ehre und Weisheit, TWV 1:91Auf ehernen Mauern, TWV 1:96Auf, erwachet, meine Sinnen, TWV 1:98Aus Gnaden seid ihr selig worden, TWV 1:113

B

Bassoon Sonata, TWV 41:EsA1Bassoon Sonata, TWV 41:f1Beglückte Zeit, die uns des Wortes Licht, TWV 1:118Begnadigte Seelen gesegneter Christen, TWV 1:119Betrübter Lohn der Missetaten, TWV 1:125aBeweget euch munter, TWV 1:125bBittet, so wird euch gegeben, TWV 1:127

C

Capriccio à Flauto traverso, TWV 41:G5Cello Sonata, TWV 41:D6Christ lag in Todes Banden, TWV 31:27Christum lieb haben ist besser, TWV 1:137Christus der ist mein Leben, TWV 1:138Concerto à 3, TWV 43:A7Concerto à 4, TWV 43:a3Concerto à 4, TWV 43:A4Concerto à 4, TWV 43:A5Concerto à 4, TWV 43:B1Concerto à 4, TWV 43:C2Concerto à 4, TWV 43:D1Concerto à 4, TWV 43:d2Concerto à 4, TWV 43:D4Concerto à 4, TWV 43:D7Concerto à 4, TWV 43:E2Concerto à 4, TWV 43:e5Concerto à 4, TWV 43:Es1Concerto à 4, TWV 43:G1Concerto à 4, TWV 43:g4Concerto à 4, TWV 43:G6Concerto à 4, TWV 43:G8Concerto à 4, TWV 43:h3Concerto à 7 in A minor, TWV 44:42Concerto à 7 in F major, TWV 44:41Concerto di Camera, TWV 43:g3Concerto for 2 Chalumeaux and 2 Bassoons, TWV 52:C1Concerto for 2 Chalumeaux, TWV 52:d1Concerto for 2 Flutes and Bassoon, TWV 53:a1Concerto for 2 Flutes and Bassoon, TWV 53:G1Concerto for 2 Flutes and Calchedon, TWV 53:D1Concerto for 2 Flutes and Calchedon, TWV 53:h1Concerto for 2 Flutes and Violin, TWV 53:e1Concerto for 2 Flutes, Oboe and Violin, TWV 54:B1Concerto for 2 Flutes, TWV 52:e2Concerto for 2 Flutes, Violin and Cello, TWV 54:D1Concerto for 2 Horns, TWV 52:D1Concerto for 2 Horns, TWV 52:D2Concerto for 2 Horns, TWV 52:Es1Concerto for 2 Horns, TWV 52:F3Concerto for 2 Horns, TWV 52:F4Concerto for 2 Oboes and Bassoon, TWV 53:C1Concerto for 2 Oboes and Bassoon, TWV 53:d1Concerto for 2 Oboes and Bassoon, TWV 53:g1Concerto for 2 Oboes and Trumpet, TWV 53:D2Concerto for 2 Oboes d'amore and Cello, TWV 53:D3Concerto for 2 Recorders and 2 Oboes, TWV 54:B2Concerto for 2 Recorders, TWV 52:a2Concerto for 2 Recorders, TWV 52:B1Concerto for 2 Trombe selvatiche and 2 Violins, TWV 54:Es1Concerto for 2 Violins and Bassoon, TWV 53:D4Concerto for 2 Violins, TWV 52:A2Concerto for 2 Violins, TWV 52:B2Concerto for 2 Violins, TWV 52:C2Concerto for 2 Violins, TWV 52:D3Concerto for 2 Violins, TWV 52:e4Concerto for 2 Violins, TWV 52:G1Concerto for 2 Violins, TWV 52:G2Concerto for 3 Oboes, 3 Violins and Continuo, TWV 44:43Concerto for 3 Trumpets and Timpani, TWV 54:D3Concerto for 3 Trumpets and Timpani, TWV 54:D4Concerto for 3 Violins, TWV 53:F1Concerto for 4 Violins, TWV 54:A1Concerto for Flute and 2 Violins, TWV 51:AnhG1Concerto for Flute and Violin, TWV 52:e3Concerto for Flute, Harpsichord and Continuo, TWV 42:D6Concerto for Flute, Violin and Cello, TWV 53:A2Concerto for Oboe and Violin, TWV 52:c1Concerto for Oboe and Violin, TWV 52:F2Concerto for Oboe d'amore, TWV 51:A2Concerto for Oboe d'amore, TWV 51:G3Concerto for Recorder and Bassoon, TWV 52:F1Concerto for Recorder and Flute, TWV 52:e1Concerto for Recorder and Viola da Gamba, TWV 52:a1Concerto for Recorder, Horn and Continuo, TWV 42:F14Concerto for Two ViolasConcerto for Viola d'amore, Oboe d'amore and Flute, TWV 53:E1Concerto for Violin and 2 Oboes, TWV 53:e2Concerto for Violin and 3 Horns, TWV 54:D2Concerto for Violin, Cello, Trumpet and Strings, TWV 53:D5Concerto for Violin, Horn, Cello and Continuo, TWV 43:F6Concerto per la Chiesa, TWV Anh. 33:2Concerto polonois, TWV 43:G7Concerto, TWV 54:F1Conclusion in D major, TWV 50:9Conclusion, TWV 50:10Conclusion, TWV 50:5

D

Da, Jesu, deinen Ruhm zu mehren, TWV 1:155aDanket dem Herrn, TWV 1:163Das ist die Freudigkeit, TWV 1:178Das ist ein köstlich Ding, TWV 1:180Das ist je gewißlich wahrDas ist meine Freude, TWV 8:17Das ist sein Gebot, TWV 1:189Das Kreuz ist eine Liebesprobe, TWV 1:190Das macht Gottes Vaterherz, TWV 1:191Das sollt du wissen, daß in den letzten Tagen, TWV 1:195Das weiß ich für wahr, TWV 1:198Das Wetter rührt mit Strahl und Blitzen, TWV 1:199Das Wort Jesus Christus ist das wahrhaftige Licht, TWV 1:200Daß Herz und Sinn, o schwacher Mensch, TWV 1:194Dein gnädig Ohr, TWV 1:214Deine Toten werden leben, TWV 1:213Deiner Sanftmut Schild, TWV 1:211Deines neuen Bundes Gnade, TWV 1:212Den Christen mischt Christus, durch heilig's Verstellen, TWV 1:219bDennoch bleib ich stets an dir, TWV 1:225Der Engel des Herrn lagert sich, TWV 1:232Der Geist gibt Zeugnis, TWV 1:243Der getreue Music-MeisterDer Gottlose ist wie ein Wetter, TWV 1:251Der Herr ist König, TWV 8:6Der Herr ist mein Hirte, TWV 1:268Der Herr kennet die Tage der Frommen, TWV 1:281Der Herr lebet, TWV 1:284Der Herr regieret, TWV 1:285Der Herr wird ein neues im Lande schaffen, TWV 1:293Der himmlischen Geister unzählbare Menge, TWV 1:298Der jüngste Tag wird bald sein Ziel erreichen, TWV 1:301Der jüngste Tag wird bald sein Ziel erreichen, TWV 1:302Der Messias, TWV 6:4Der mit Sünden beleidigte Heiland, TWV 1:306Der Regen Gottes trieft auf gute Sprossen, TWV 1:312Der Reichtum macht allein beglückt, TWV 1:313Der Segen des Herrn machet reich ohne Mühe, TWV 1:310Der Segen des Herrn machet reich ohne Mühe, TWV 1:311Der Segen des Herrn machet reich ohne Mühe, TWV 1:316Der Tag des GerichtsDer Tod JesuDes wütenden Meeres betäubendes Brausen, TWV 1:327aDich, den meine Seele liebet, TWV 1:328Die auf den Herrn hoffen, TWV 7:9Die Auferstehung und Himmelfahrt Jesu, TWV 6:6Die Bosheit dreht das schnellste Rad, TWV 1:331Die Donnerode, TWV 6:3Die Ehre des herrlichen Schöpfers zu melden, TWV 1:334Die Glut des Zorns, das Feuer der Rache, TWV 1:338aDie Gnadenthüre steht dir offen, TWV 1:339Die Hauptsumma des Gebots ist, TWV 1:347Die ihm vertrauen, die erfahren, TWV 1:348Die Kinder des Höchsten sind rufende Stimmen, TWV 1:349Die stärkende Wirknung des Geistes, TWV 1:363Die Tageszeiten, TWV 20:39Dies ist der Gotteskinder Last, TWV 1:356Dies ist der Tag, den der Herr macht, TWV 1:359Divertimento in A major, TWV 50:22Divertimento in B-flat major, TWV 50:23Drei sind, die da zeugen im Himmel, TWV 1:374Du bist ja, hoch bedrängte Liebe, TWV 1:383aDu bist mein Vater, TWV 1:384Du bist mir, schnödes Gut der Erden, TWV 1:384aDu bist verflucht, o Schreckensstimme, TWV 1:385Du fährest mit Jauchzen, TWV 1:387Du machst mir, strenger Tod, kein Leiden, TWV 1:392Du Tochter Zion, freue dich, TWV 1:407Duet for 2 Flutes, TWV 40:107Duet for 2 Flutes, TWV 42:e13Duet for 2 Flutes, TWV 42:fis1Durch Christi Auferstehungskraft, TWV 1:397Durchsuche dich, o stolzer Geist, TWV 1:399

E

Ehr und Dank sei dir gesungen, TWV 1:413Ei nun, mein liebster Jesu, TWV 1:432Ei, warum sollt ich dich lassen, TWV 1:437Ein Arzt ist uns gegeben, TWV 1:416Ein feste Burg ist unser Gott, TWV 8:7Ein heißer Durst, TWV 1:422aEin Jammerton, ein schluchzend Ach, TWV 1:424Ein jeder läuft, der in den Schranken läuft, TWV 1:425Ein lispelnd-murmelndes Gedränge, TWV 1:427Ein seliges Kind Gottes, TWV 1:431aEin zartes Kind hat nirgends größ're Lust, TWV 1:436Endlich wird die Stunde schlagen, TWV 1:440Er hat alles wohl gemacht, TWV 1:452Er ist mein und ich bin sein, TWV 1:461Er kennt die rechten Freudenstunden, TWV 1:464Er, der Herr des Friedens, TWV 1:444Ergeuß dich zur Salbung der schmachtenden Seele, TWV 1:447Erhalt mein Herz im Glauben, TWV 1:450Erhalte mich, O Herr, in deinem Werke, TWV 1:449Erquickendes Wunder der ewigen Gnade, TWV 1:469Erscheine, Gott, in deinem Tempel, TWV 1:471Ertrage nur das Joch der Mängel, TWV 1:479Erwachet zum Kriegen, TWV 1:481Erwachet, entreißt euch den sündlichen Träumen, TWV 1:480Erwacht aus euren Sorgen-Schlummer, TWV 1:481aErwäg', O Mensch, TWV 1:487bEs fähret Jesus auf mit Jauchzen, TWV 1:489Es füllen der Allmacht bestrafende Blitze, TWV 1:490aEs ist das Heil uns kommen her, TWV 1:494Es ist dir gesagt, TWV 1:497Es ist ein köstlich Ding, TWV 1:504Es ist ein schlechter Ruhm, TWV 1:506Es ist gewisslich an der Zeit, TWV 1:509Es ist um aller Menschenleben sehr elend, TWV 1:514Es klinget oft, kläglich nach, TWV 1:518aEs segne uns Gott, TWV 8:8Es sei fern von mir rühmen, TWV 1:526Es sind schon die letzten Zeiten, TWV 1:528Es spricht der Unweisen Mund, TWV 1:533Es spricht der Unweisen Mund, TWV 1:533aEs spricht, der solches zeuget, TWV 1:532Es wird ein unbarmherzig Gericht, TWV 1:542Essercizii musiciEuch, wackelhafte Hoffartsberge, TWV 1:544aEw'ge Quelle, milder Strom, TWV 1:546

F

Fast allgemeines Evangelisch-Musicalisches Lieder-BuchFleuch der Lüste Zauberauen, TWV 1:550Flute Concerto, TWV 51:D1Flute Concerto, TWV 51:D2Flute Concerto, TWV 51:E1Flute Concerto, TWV 51:G1Flute Concerto, TWV 51:h1Flute Sonata, TWV 41:D9Flute Sonata, TWV 41:e10Flute Sonata, TWV 41:G9Flute Sonata, TWV 41:h4Freuet euch, die ihr mit Christo leidet, TWV 1:557Fugierende und verändernde Choräle, TWV 31:1–48Fugue in D minor, TWV 30:16Fugues légères & petits jeux, TWV 30:21-26

G

Gavotte in F majorGebet dem Kaiser, was des Kaisers ist, TWV 1:578Gedenke doch, wie ich so elend und verlassen, TWV 1:583Geduld! Wenn Menschen sich zum Teufeln machen, TWV 1:589Gelobet sei der Herr, TWV 1:596Gelobet sei Gott und der Vater, TWV 1:607Gelobet sei Gott und der Vater, TWV 1:610Gelobet seist du, Jesus Christ, TWV 1:611Gelobet seist du, Jesus Christ, TWV 1:612Gen Himmel zu dem Vater mein, TWV 1:613Germania mit ihrem Chor, TWV 12:1cGesegnet ist die Zuversicht, TWV 1:616Gesegnet ist die Zuversicht, TWV 1:617Gib auch den Göttern dieser Erden, TWV 1:620Gieb mildiglich dein' Segen, TWV 1:622Gieb uns Segen an die Hand, TWV 1:624Gieb, dass ich mich nicht erhebe, TWV 1:621Glaubet, hoffet, leidet, duldet, TWV 1:626Gleichwie der Regen und Schnee, TWV 1:630Gott der Hoffnung erfülle euchGott fähret auf mit Jauchzen, TWV 1:645Gott sei mir gnädig, TWV 1:681Gott unser Heiland will, TWV 1:686Gott weiß, ich bin von Seufzen müde, TWV 1:689aGott will Mensch und sterblich werden, TWV 1:694Gott wird geben einem jeglichen nach seinen Werken, TWV 1:696Gottes Liebe gehet weit, TWV 1:640Göttlichs Kind, laß, mit Entzücken, TWV 1:632aGottlob, die Frucht hat sich gezeiget, TWV 1:670Grillen-Symphonie, TWV 50:1

H

Habt nicht lieb die Welt, TWV 1:709Halleluja! Lobet den Namen des Herrn, TWV 1:713Halt ein mit deinem Wetterstrahle, TWV 1:715Halt im Gedächtnis Jesum Christum, TWV 1:717Halt, was du hast, TWV 8:9Harmonischer GottesdienstHemmet den Eifer, verbannet die Rache, TWV 1:730Herr Christ, den rechten Samen, TWV 1:731Herr ich bin beide, TWV 1:753Herr Jesu Christ, dich zu uns wend, TWV 1:755Herr Jesu Christ, dich zu uns wend, TWV 31:7Herr Jesu Christ, dich zu uns wend, TWV 31:8Herr Jesu Christ, ich schrei zu dir, TWV 1:758Herr! Meiner Sehnsucht Seltenheit eilt, TWV 1:764Herr! Schau! Die Seele steht dir offen, TWV 1:766aHerr, nun lass in Frieden, TWV 1:766Herr, schau doch meine matte Seele, TWV 1:767Herr, segne meinen Tritt, TWV 1:768Herr, sei mir gnädig, denn mir ist Angst, TWV 1:769Herr, streu' in mich des Wortes Samen, TWV 1:771aHerr, was muß ich tun, daß ich das ewige Leben erbe, TWV 1:775Herzbrechend ist das Augenbrechen, TWV 1:782aHerzlich tut mich verlangen, TWV 1:784Hier finde ich ein unvergleichlich StückeHier hab ich manche Plage, TWV 1:794Hier ist mein Herz, geliebter Jesu, TWV 1:795Hirt und Bischof unsrer Seelen, TWV 1:805Hochselige Blicke, voll heilige Wonne, TWV 1:805aHochzeit-DivertissementHorn Concerto, TWV 51:D8Hosianna dem Sohne David, TWV 1:808Hosianna dem Sohne David, TWV 1:809

I

Ich bin arm und elend, TWV 1:814Ich bin der Erste und der Letzte, TWV 1:816Ich bin der Herr dein Arzt, TWV 1:817Ich bin getauft in Christi Tode, TWV 1:810Ich bin getrost im Leben, TWV 1:821Ich bin vergnügt an diesen Gütern, TWV 1:823Ich danke dir und preise, TWV 1:824Ich fahre auf zu meinem Vater, TWV 1:825Ich fürchte keinen Tod auf Erden, TWV 1:827Ich habe Lust abzuscheiden, TWV 1:833Ich habe Lust abzuscheiden, TWV 1:836Ich halte aber dafür, TWV 1:840Ich halte es dafür, TWV 1:841Ich hatte mich verirret, TWV 1:842Ich hebe meine Augen auf zu den Bergen, TWV 7:17Ich hoffe darauf, daß du so gnädig bist, TWV 1:847Ich hoffe darauf, daß du so gnädig bist, TWV 1:848Ich muss im Leben immer wandeln, TWV 1:852Ich schaue bloß auf Gottes Güte, TWV 1:859Ich seh' euch fast mit bittern Tränen, TWV 1:862aIch trau auf Gott, TWV 1:868Ich weine, durch der Armut plage, TWV 1:872aIch weiß, daß mein Erlöser lebt , TWV 1:877Ich werde fast entzückt, TWV 1:881Ich will den Kreuzweg gerne gehen, TWV 1:884Ihr Gerechten, freuet euch des Herrn, TWV 1:901Ihr Lieben, glaubet nicht einem jeglichen Geist, TWV 1:908Ihr schüchternen Blicke beharrlischer Sünder, TWV 1:912Ihr seid alle Gottes Kinder, TWV 1:915Ihr seid alle Gottes Kinder, TWV 1:916Ihr seligen Stunden erquickender Freude, TWV 1:917Ihr Völker hört, TWV 1:921Ihr Völker, bringet her dem Herrn, TWV 1:919Ihr Wölfe, droht mit euren Klauen, TWV 1:924Ihr, deren Leben mit banger Finsternis umgeben, TWV 1:897Ihr, die ihr Christi Namen nennt, TWV 1:898In Christo Jesu gilt weder Beschneidung, TWV 1:930In der Welt habt ihr Angst, TWV 1:936In dich wollst du mich kleiden ein, TWV 1:938In gering- und rauhen Schalen, TWV 1:941Ino, TWV 20:41Intrada-Suite for 2 Violins 'Gulliver's Travels', TWV 40:108Ist Gott versöhnt, TWV 1:946Ist Wiederwärtigkeit den Frommen eigen, TWV 1:948

J

Ja, selig sind, die Gottes Wort hören, TWV 1:949Jauchzet dem Herrn alle Welt, TWV 8:10Jauchzet dem Herrn, alle Welt, TWV 7:20Jauchzet, frohlocket! der Himmel ist offen, TWV 1:953Jauchzet, ihr Himmel, TWV 1:957Jauchzt, ihr Christen, seid vergnügt, TWV 1:955Jehova pascit me, TWV 7:23Jesu meine Freude, TWV 1:965Jesu, wirst du bald erscheinen, TWV 1:988Jesus Christus ist kommen, TWV 1:975Jesus kömmt: ihr Teufel fliehet, TWV 1:981aJetzt geht der Lebensfürst zum Tode, TWV 1:989Johannes Passion, TWV 5:30

K

Kein Vogel kann im weiten Fliegen, TWV 1:994Kleine KammermusikKlingende GeographieKomm wieder Herr zu der Menge, TWV 2:12Komm', heiliger Geist, TWV 31:5

L

La poste, TWV 35:2La Tempesta, TWV 20:42Lass mich beizeit mein Haus bestellen, TWV 1:1034Lass mich, o mein Gott, TWV 1:1037Laudate Jehovam, TWV 7:25Lauter Wonne, lauter Freude, TWV 1:1040Lehre uns bedenken, daß wir sterben müssen, TWV 1:1042Lehre uns bedenken, daß wir sterben müssen, TWV 1:1043Liebe, die vom Himmel stammet, TWV 1:1044Liebet eure Feinde segnet die euch fluchen, TWV 1:1046Lieder und ArienLobe den Herrn meine Seele, TWV deestLobet den Herrn alle seine Heerscharen, TWV 1:1061Lobet den Herrn, alle Heiden, TWV 1:1059Lobet den Herrn, alle Heiden, TWV 1:1060Lobt ihn mit Herz und Munde, TWV 1:1067Locke nur, Erde, mit schmeichelndem Reize, TWV 1:1069Lukas Passion, TWV 5:33Lukas-Passion, TWV 5:45Lyksalig Tvillung-Rige!, TWV 12:10

M

Mach mir stets zuckersüss den Himmel, TWV 1:1080Machet die Tore weit, TWV 1:1074Man singet mit Freuden vom Sieg, TWV 1:1084Man singet mit Freuden vom Sieg, TWV 1:1087Man singet mit Freuden vom Sieg, TWV 1:1088Marche et Retraite, TWV 35:1Maria stund auf in den Tagen, TWV 1:1089Matthäus-Passion, TWV 5:15Me miserum miseriarum, TWV 1:1135Mein Glaube ringt in letzen Zügen, TWV 1:1111aMein Gott ich schäme mich, TWV 1:1114Mein Jesu, ist dirs denn verborgen, TWV 1:1119Mein Kind verwirf die Zucht des Herrn nicht, TWV 1:1128Mein Kind, willt du Gottes Diener sein, TWV 1:1130Mein Schutz und Hülfe kommt, TWV 1:1132Mein Sünd mich werden kränken sehr, TWV 1:1134Mein Sünd mich werden kränken sehr, TWV 1:deestMeine Augen sehen stets zu dem Herrn, TWV 1:1093Meine Schafe hören meine Stimme, TWV 1:1102Meine Schafe hören meine Stimme, TWV 1:1103Meine Seel' erhebt den Herrn, TWV 1:1107Meine Seele erhebt den Herrn, TWV 1:1108Meine Seele erhebt den Herrn, TWV 9:18Meine Seele soll verzagen, TWV 1:deestMenuet for 2 Horns, TWV 40:110Methodical Sonata, TWV 41:a2Methodical Sonata, TWV 41:A3Methodical Sonata, TWV 41:B5Methodical Sonata, TWV 41:C3Methodical Sonata, TWV 41:d2Methodical Sonata, TWV 41:D3Methodical Sonata, TWV 41:e2Methodical Sonata, TWV 41:E5Methodical Sonata, TWV 41:g3Methodical Sonata, TWV 41:G4Methodical Sonata, TWV 41:h3Mir hat die Welt trüglich gericht, TWV 1:1137Mir hat die Welt trüglich gericht't, TWV 1:1138Missa sopra 'Ach Gott im Himmel sieh darein', TWV 9:1Missa sopra 'Durch Adams Fall ist ganz', TWV 9:4Missa sopra 'Ein Kindelein so löbelich', TWV 9:5Missa sopra 'Erbarm dich mein o Herre Gott', TWV 9:6Missa sopra 'Es wird schier der letzte Tag herkommen', TWV 9:7Missa sopra 'Komm heiliger Geist', TWV 9:11Mit Gott im Gnadenbunde stehen, TWV 1:1141Muntre Gedanken, TWV 1:1145Musikalische WerkeMusikalisches Lob Gottes

N

Nach ausgelöschtem Feindschaftsfeuer, TWV 1:1147Nach dir will ich mich sehnen, TWV 1:1149Nach Finsternis und Todesschatten, TWV 1:1150Nichts, nichts kann mich verdammen, TWV 1:1153Nouveaux quatuors en six suitesNouvelles sonatinesNun aber gehe ich hin, TWV 1:1162Nun aber gehe ich hin, TWV 1:1163Nun freut euch, Gottes Kinder, TWV 1:1167Nun komm der Heiden Heiland, TWV 1:1174Nun komm der Heiden Heiland, TWV 1:1175Nun komm der Heiden Heiland, TWV 1:1177Nun kommt die grosse Marterwoche, TWV 1:1179

O

O Gotteslamm, o Liebesflamm, TWV 1:1191O grosse Lieb, TWV 1:1195O grosser Gott von Macht, TWV 1:1196O hører, I ører, I folk som langt borteO Jesu Christ, dein Krippelein, TWV 1:1200O Jesu, treuer Hirte, TWV 1:1202O mein Gott, vor dem ich trete, TWV 1:1205O mein Gott, vor dem ich trete, TWV 1:1206O schnöde Wollust dieser Erde, TWV 1:1210bO tausendmal gewünschter Tag, TWV 1:1215Oboe Concerto, TWV 51:c1Oboe Concerto, TWV 51:d1Oboe Concerto, TWV 51:d2Oboe Concerto, TWV 51:D5Oboe Concerto, TWV 51:D6Oboe Concerto, TWV 51:e1Oboe Concerto, TWV 51:Es1Oboe Concerto, TWV 51:f1Oboe Concerto, TWV 51:f2Oboe Sonata, TWV 41:a3Oboe Sonata, TWV 41:B6Oboe Sonata, TWV 41:e6Oboe Sonata, TWV 41:g10Oboe Sonata, TWV 41:g6Ohne Glauben ists unmöglich, TWV 1:1199Organ WorksOuverture à 5 in F major, TWV 44:10Ouverture à 5 in F major, TWV 44:6Ouverture à 5 in F major, TWV 44:7Ouverture à 5 in F major, TWV 44:8Ouverture à 5 in F major, TWV 44:9Ouverture burlesque, TWV 32:2Ouverture in A major, TWV 32:15Ouverture in A major, TWV 32:16Ouverture in A minor, TWV 32:12Ouverture in C major, TWV 32:11Ouverture in G major, TWV 32:13Ouverture-Suite, TWV 55:a1Ouverture-Suite, TWV 55:A2Ouverture-Suite, TWV 55:A3Ouverture-Suite, TWV 55:A4Ouverture-Suite, TWV 55:a5Ouverture-Suite, TWV 55:a6Ouverture-Suite, TWV 55:A7Ouverture-Suite, TWV 55:B1Ouverture-Suite, TWV 55:B10Ouverture-Suite, TWV 55:B11 'La Bourse'Ouverture-Suite, TWV 55:B13Ouverture-Suite, TWV 55:B2Ouverture-Suite, TWV 55:B3Ouverture-Suite, TWV 55:B4Ouverture-Suite, TWV 55:B5Ouverture-Suite, TWV 55:B6Ouverture-Suite, TWV 55:B7Ouverture-Suite, TWV 55:B8Ouverture-Suite, TWV 55:B9Ouverture-Suite, TWV 55:c1Ouverture-Suite, TWV 55:C2Ouverture-Suite, TWV 55:c3Ouverture-Suite, TWV 55:C4Ouverture-Suite, TWV 55:C5 'La Bouffonne'Ouverture-Suite, TWV 55:C6Ouverture-Suite, TWV 55:C7Ouverture-Suite, TWV 55:d1Ouverture-Suite, TWV 55:D10Ouverture-Suite, TWV 55:D11Ouverture-Suite, TWV 55:D12Ouverture-Suite, TWV 55:D13Ouverture-Suite, TWV 55:D14Ouverture-Suite, TWV 55:D15Ouverture-Suite, TWV 55:D16Ouverture-Suite, TWV 55:D17Ouverture-Suite, TWV 55:D18Ouverture-Suite, TWV 55:D19Ouverture-Suite, TWV 55:d2Ouverture-Suite, TWV 55:D20Ouverture-Suite, TWV 55:D21Ouverture-Suite, TWV 55:D22Ouverture-Suite, TWV 55:D23Ouverture-Suite, TWV 55:D24Ouverture-Suite, TWV 55:D3Ouverture-Suite, TWV 55:D4Ouverture-Suite, TWV 55:D6Ouverture-Suite, TWV 55:D7Ouverture-Suite, TWV 55:D8Ouverture-Suite, TWV 55:D9Ouverture-Suite, TWV 55:E1Ouverture-Suite, TWV 55:e10Ouverture-Suite, TWV 55:e2Ouverture-Suite, TWV 55:e3Ouverture-Suite, TWV 55:e4Ouverture-Suite, TWV 55:e5Ouverture-Suite, TWV 55:e6Ouverture-Suite, TWV 55:e7Ouverture-Suite, TWV 55:e8Ouverture-Suite, TWV 55:e9Ouverture-Suite, TWV 55:Es1Ouverture-Suite, TWV 55:Es2Ouverture-Suite, TWV 55:Es3 'La Lyra'Ouverture-Suite, TWV 55:Es4Ouverture-Suite, TWV 55:Es5Ouverture-Suite, TWV 55:f1Ouverture-Suite, TWV 55:F10Ouverture-Suite, TWV 55:F11 'Alster-Ouvertüre'Ouverture-Suite, TWV 55:F12Ouverture-Suite, TWV 55:F13Ouverture-Suite, TWV 55:F16Ouverture-Suite, TWV 55:F3Ouverture-Suite, TWV 55:F6Ouverture-Suite, TWV 55:F7Ouverture-Suite, TWV 55:fis1Ouverture-Suite, TWV 55:g1Ouverture-Suite, TWV 55:G10 'Burlesque de Quixotte'Ouverture-Suite, TWV 55:G11Ouverture-Suite, TWV 55:G12Ouverture-Suite, TWV 55:G2Ouverture-Suite, TWV 55:g2 'La Changeante'Ouverture-Suite, TWV 55:G3Ouverture-Suite, TWV 55:g4Ouverture-Suite, TWV 55:G5Ouverture-Suite, TWV 55:G6Ouverture-Suite, TWV 55:g7Ouverture-Suite, TWV 55:G8Ouverture-Suite, TWV 55:G9Ouverture-Suite, TWV 55:h1Ouverture-Suite, TWV 55:h2Ouverture-Suite, TWV 55:h3Ouverture-Suite, TWV 55:h4Ouverture-Suite, TWV Anh. 55:A1Ouverture-Suite, TWV Anh. 55:G1 'La Putaine'

P

Packe dich, gelähmter Drache, TWV 1:1222Parti mi lasci, ah quali mi lasci, TWV 20:61Partia à Cembalo solo, TWV 32:1Partita No.1, TWV 41:B1Partita No.2, TWV 41:G2Partita No.3, TWV 41:c1Partita No.4, TWV 41:g2Partita No.5, TWV 41:e1Partita No.6, TWV 41:Es1PassionsPimpinone, TWV 21:15Polonaise, TWV 41:D4Pyrmonter Kurwoche

Q

Quartetto, TWV 43:a1Quartetto, TWV 43:B2Quartetto, TWV 43:D5Quartetto, TWV 43:D6Quartetto, TWV 43:G2Quartetto, TWV 43:G5

R

Recorder Concerto, TWV 51:C1Recorder Concerto, TWV 51:F1Recorder Sonata in C minorRecorder Sonata, TWV 41:a4Recorder Sonata, TWV 41:C2Recorder Sonata, TWV 41:C5Recorder Sonata, TWV 41:d4Recorder Sonata, TWV 41:F2Redet unter einander mit Psalmen, TWV 1:1225

S

Sage mir an du den meine Seele liebet, TWV 1:1231Sanftmutsvolle, zarte Triebe, TWV 1:1235aSchau nach Sodom nicht zurücke, TWV 1:1243Schau Seele! Jesus geht zum Vater, TWV 1:1244Schaut die Demut-Palmen tragen, TWV 1:1245Scherzo No.1, TWV 42:A1Scherzo No.2, TWV 42:E1Schmecket und sehet unsres Gottes Freundlichkeit, TWV 1:1252Schmecket und sehet, wie freundlich der Herr ist, TWV 1:1250Schmücke dich, o liebe Seele, TWV 31:10Schmücke dich, o liebe Seele, TWV 31:9Schmückt das frohe Fest mit Maien, TWV 1:1256Seele, lerne dich erkennen, TWV 1:1258Sehet an die Exempel der Alten, TWV 1:1259Sehet, wir gehn hinauf gen Jerusalem, TWV 1:1263Sei still! Zerreißt der Nahrung, TWV 1:1288aSeid barmherzig, TWV 1:1268Seid dankbar in allen Dingen, TWV 1:1269Seid getrost und hoch erfreut, TWV 1:1271Seid nüchtern und wachet, TWV 1:1275Seid nüchtern und wachet, TWV 1:1278Selig sind die Toten, TWV 8:13Selig sind, die zum Abendmahl des Lammes, TWV 1:1308Selig sind, die zum Abendmahle des Lammes berufen sind, TWV 1:1304Seliges Erwägen des Leidens und Sterbens Jesu Christi, TWV 5:2Sie verachten das Gesetz des Herrn, TWV 1:1339Siehe, das ist Gottes Lamm, TWV 1:1318Siehe, es hat überwunden der LöweSinfonia à 4, TWV 43:A6Sinfonia in E-flat major, TWV 50:21Sinfonia in F major, TWV 50:3Sinfonia Melodica in C major, TWV 50:2Sinfonie à la françoise, TWV 41:h2Singe-, Spiel- und Generalbassübungen, TWV 25:39-85Singet dem Herrn, TWV 1:1345Singet dem Herrn, TWV 1:1748So fahre hin, du tolle Schar, TWV 1:1354So gehst du nun mein Jesu hin, TWV 1:1744So grausam mächtig ist der Teufel, TWV 1:1357aSo lasset uns nur nicht schlafen, TWV 1:1364So wir denn nun haben, lieben Brüder, TWV 1:1387Solos for a Violin with a Thorough BassSonata à 4 in A major, TWV 40:200Sonata à 4, TWV 43:A1Sonata à 4, TWV 43:a5Sonata à 4, TWV 43:C1Sonata à 4, TWV 43:d1Sonata à 4, TWV 43:d3Sonata à 4, TWV 43:e2Sonata à 4, TWV 43:F1Sonata à 4, TWV 43:F2Sonata à 4, TWV 43:F3Sonata à 4, TWV 43:F4Sonata à 4, TWV 43:F5Sonata à 4, TWV 43:g1Sonata à 4, TWV 43:G10Sonata à 4, TWV 43:G11Sonata à 4, TWV 43:G12Sonata à 4, TWV 43:g2Sonata à 4, TWV 43:G9Sonata à 5 in E minor, TWV 44:5Sonata à 5 in F major, TWV 44:11Sonata à 6 in B-flat major, TWV 44:34Sonata à 6 in F minor, TWV 44:32Sonata à 6 in G minor, TWV 44:33Sonata da chiesa, TWV 41:g5Sonata for Flute and Violin, TWV 40:111Sonata for Viola da Gamba, TWV 40:1Sonata in Canon, TWV 41:B3Sonata in D major, TWV 44:1Sonata in E minor, TWV 50:4Sonaten und SpielstückeSonates sans basseSprich nicht in Mangel, TWV 1:1392Sprich nur ein Wort, so werd ich leben, TWV 1:1393Stille die Tränen des winselnden Armen, TWV 1:1401Straff mich nicht in deinem Zorn, TWV 31:11Suchet den Herrn, weil er zu finden ist, TWV 1:1405Suite à 4, TWV 43:a2Suite à 4, TWV 43:A3Suite à 4, TWV 43:D3Suite à 4, TWV 43:e1Suite à 4, TWV 43:e4Suite à 4, TWV 43:G4Suite à 4, TWV 43:h1Suite à 4, TWV 43:h2Suite for Oboe and Continuo, TWV 41:g4Suite in A major, TWV 32:14Suite in B-flat major 'Three-four'Suite in D majorSymphonie zur Serenate, TWV Anh.50:1

T

TafelmusikTrachtet am ersten nach dem Reich Gottes, TWV 1:1412Trietto No.1, TWV 42:G2Trietto No.2, TWV 42:D2Trifft menschlich und voll Fehler, TWV 1:1417Trio Sonata in E minorTrio Sonata, TWV 42:a1Trio Sonata, TWV 42:A10Trio Sonata, TWV 42:A11Trio Sonata, TWV 42:A12Trio Sonata, TWV 42:A13Trio Sonata, TWV 42:A2Trio Sonata, TWV 42:a4Trio Sonata, TWV 42:a5Trio Sonata, TWV 42:a6Trio Sonata, TWV 42:a7Trio Sonata, TWV 42:A8Trio Sonata, TWV 42:A9Trio Sonata, TWV 42:B1Trio Sonata, TWV 42:B4Trio Sonata, TWV 42:B5Trio Sonata, TWV 42:B6Trio Sonata, TWV 42:B7Trio Sonata, TWV 42:C1Trio Sonata, TWV 42:c2Trio Sonata, TWV 42:C3Trio Sonata, TWV 42:c4Trio Sonata, TWV 42:c5Trio Sonata, TWV 42:c6Trio Sonata, TWV 42:c7Trio Sonata, TWV 42:c8Trio Sonata, TWV 42:D1Trio Sonata, TWV 42:d10Trio Sonata, TWV 42:D11Trio Sonata, TWV 42:D12Trio Sonata, TWV 42:D13Trio Sonata, TWV 42:D14Trio Sonata, TWV 42:D15Trio Sonata, TWV 42:D16Trio Sonata, TWV 42:d2Trio Sonata, TWV 42:D4Trio Sonata, TWV 42:D5Trio Sonata, TWV 42:d6Trio Sonata, TWV 42:d7Trio Sonata, TWV 42:d8Trio Sonata, TWV 42:D9Trio Sonata, TWV 42:e1Trio Sonata, TWV 42:e10Trio Sonata, TWV 42:e11Trio Sonata, TWV 42:e12Trio Sonata, TWV 42:e2Trio Sonata, TWV 42:E4Trio Sonata, TWV 42:E5Trio Sonata, TWV 42:E6Trio Sonata, TWV 42:e7Trio Sonata, TWV 42:e8Trio Sonata, TWV 42:e9Trio Sonata, TWV 42:Es1Trio Sonata, TWV 42:Es3Trio Sonata, TWV 42:F1Trio Sonata, TWV 42:F10Trio Sonata, TWV 42:F11Trio Sonata, TWV 42:F12Trio Sonata, TWV 42:F13Trio Sonata, TWV 42:f2Trio Sonata, TWV 42:F3Trio Sonata, TWV 42:F4Trio Sonata, TWV 42:F5Trio Sonata, TWV 42:F6Trio Sonata, TWV 42:F7Trio Sonata, TWV 42:F8Trio Sonata, TWV 42:F9Trio Sonata, TWV 42:g1Trio Sonata, TWV 42:g10Trio Sonata, TWV 42:G11Trio Sonata, TWV 42:g12Trio Sonata, TWV 42:g13Trio Sonata, TWV 42:g14Trio Sonata, TWV 42:g15Trio Sonata, TWV 42:G3Trio Sonata, TWV 42:g5Trio Sonata, TWV 42:G6Trio Sonata, TWV 42:g7Trio Sonata, TWV 42:G8Trio Sonata, TWV 42:G9Trio Sonata, TWV 42:h4Trio Sonata, TWV 42:h5Trio Sonata, TWV 42:h6Trio Sonata, TWV 42:h7Trio Sonata, TWV Anh.42:gTriumphierender Versöhner, TWV 1:1422Trumpet Concerto, TWV 51:D7

U

Umschlinget uns, ihr sanften Friedensbande, TWV 1:1426Unbegreiflich ist dein Wesen, TWV 1:1745Und alle Engel stunden um den Stuhl, TWV 1:1427Und als er nahe hinzu kam, TWV 1:1429Und das Wort ward Fleisch, TWV 1:1431Und siehe, eine Stimme aus den Wolken, TWV 1:1437Uns ist ein Kind geboren, TWV 1:1451Uns ist ein Kind geboren, TWV 1:1452Uns ist ein Kind geboren, TWV 1:1453Uns ist ein Kind geboren, TWV 1:1454Unser keiner lebet ihm selber, TWV 1:1443Unser Trost ist der, TWV 1:1445Unverzagt in allem Leide, TWV 1:1456Unverzagt und ohne Grauen, TWV 1:1457

V

Vater unser im Himmelreich, TWV 31:1Vater unser im Himmelreich, TWV 31:2Veni sancte spiritus reple, TWV 3:86Verdammet, fluchet, ihr Gesetze, TWV 1:1463Verfolgter Geist, wohin?, TWV 1:1467Verlöschet, ihr Funken der irdischen Liebe, TWV 1:1471Versuchet euch selbst, ob ihr im Glauben seid, TWV 1:1473Verzeichniß der Telemannischen Musikalischen WerkeViel Tausend sind, TWV 1:1479Viola Concerto in G majorViola da gamba Sonata, TWV 41:a6Viola da gamba Sonata, TWV 41:e5Viola da gamba Sonata, TWV 41:G6Viola Sonata, TWV 41:DA1Violin Concerto, TWV 51:a1Violin Concerto, TWV 51:a2Violin Concerto, TWV 51:A3Violin Concerto, TWV 51:A4Violin Concerto, TWV 51:B1Violin Concerto, TWV 51:B2Violin Concerto, TWV 51:C2Violin Concerto, TWV 51:C3Violin Concerto, TWV 51:D10Violin Concerto, TWV 51:D9Violin Concerto, TWV 51:E2Violin Concerto, TWV 51:E3Violin Concerto, TWV 51:F2Violin Concerto, TWV 51:F3Violin Concerto, TWV 51:F4Violin Concerto, TWV 51:fis1Violin Concerto, TWV 51:g1Violin Concerto, TWV 51:G4Violin Concerto, TWV 51:G5Violin Concerto, TWV 51:G6Violin Concerto, TWV 51:G7Violin Concerto, TWV 51:G8Violin Concerto, TWV 51:h2Violin Sonata, TWV 41:a1Violin Sonata, TWV 41:A2Violin Sonata, TWV 41:A4Violin Sonata, TWV 41:a5Violin Sonata, TWV 41:A6Violin Sonata, TWV 41:A7Violin Sonata, TWV 41:C6Violin Sonata, TWV 41:d3Violin Sonata, TWV 41:E1Violin Sonata, TWV 41:e4Violin Sonata, TWV 41:F3Violin Sonata, TWV 41:F4Violin Sonata, TWV 41:fis1Violin Sonata, TWV 41:fis2Violin Sonata, TWV 41:g8Violin Sonata, TWV 41:g9Vor des lichten Tages Schein, TWV 1:1483Vor Wölfen in der Schafe Kleidern, TWV 1:1485

W

Wachet auf! ruft uns die Stimme, TWV 1:1487Wachset in der Gnade, TWV 1:1491Wahrlich ich sage euch so ihr den Vater, TWV 1:1493Wandelt in der Liebe, TWV 1:1498Warum verstellst du die Gebärden, TWV 1:1502Was betrübst du dich meine Seele, TWV 1:1505Was fehlt dir doch, TWV 1:1507Was gleicht dem Adel wahrer Christen, TWV 1:1511Was Gott im Himmel will, TWV 1:1512Was hast du Mensch was du nicht empfangen hast, TWV 1:1513Was hat das Licht vor Gemeinschaft mit der Finsternis, TWV 1:1514Was ist das Herz? Ein finst'rer Ort, TWV 1:1516Was ist mir doch das Rühmen nütze?, TWV 1:1521Was ist schöner als Gott dienen, TWV 1:1522Was Jesus nur mit mir wird fügen, TWV 1:1523Was Jesus nur mit mir wird fügen, TWV 1:1525Was mein Gott will, das g'scheh allzeit, TWV 1:1529Was zeigen freche Höllenkinder, TWV 1:1533aWater MusicWeg mit Sodoms gift'gen Früchten, TWV 1:1534Weiche Lust und Fröhlichkeit, TWV 1:1536Weichet fort aus meiner Seele, TWV 1:1537Weicht, ihr Sünden, bleibt dahinten, TWV 1:1538Weide mich auf grünen Auen, TWV 1:1539aWeil ich denn rufe und ihr weigert euch, TWV 1:1540Welcher unter euch kann mich einer Sünde zeihen, TWV 1:1545Wende dich zu mir, TWV 1:1550Wenn bösen Zungen stechen, TWV 1:1555Wenn du deine Gabe auf dem Altar opferst, TWV 1:1557Wenn ich ein gut Gewissen habe, TWV 1:1561Wenn Israel am Nilusstrande, TWV 1:1562Wenn mir angst ist, TWV 1:1567Wenn wir in höchsten Nöten sein, TWV 1:1568Wenn wir in höchsten Nöten sein, TWV 1:1569Wenn wir nicht Kreuz und Trübsal hätten, TWV 1:1570Wer bei Gott in Gnaden ist, TWV 1:1573Wer der Barmherzigkeit und Güte nachjaget, TWV 1:1578Wer ist der, so von Edom kommt, TWV 1:1585Wer ist wohl wie du, Jesu, TWV 1:1587Wer ist, der dort von Edom kömmt, TWV 1:1584Wer sehnet sich nach Kerker, TWV 1:1594Wer sich rächet, an dem wird sich der Herr wieder rächen, TWV 1:1600Wer sich rächet, an dem wird sich der Herr wieder rächen, TWV 1:1601Wer sich rächet, an dem wird sich der Herr wieder rächen, TWV 1:1602Wer weiss, wie nahe mir mein Ende, TWV 1:1610Wer weiss, wie nahe mir mein Ende, TWV 1:1611Wer zweifelt, daß man unser Herze verzagt, TWV 1:1615Werfet Panier auf im Lande, TWV 8:15Wider die falschen Propheten, TWV 1:908Wie lieblich sind deine Wohnungen, TWV 1:1627Wie lieblich sind deine Wohnungen, TWV 1:1628Wie lieblich sind doch deine Hütten, TWV 2:13Wie schmerzlich drückt die schwere Bürde, TWV 1:1634Wie schön wirds nicht im Himmel sein, TWV 1:1640Wie? Kehren sich, bei Jesus Krippen, TWV 1:1625Willkommen, segenvolles Fest, TWV 1:1652Wir glauben an den heiligen Geist, TWV 1:1660Wir müssen alle offenbar werden, TWV 1:1672Wir wissen, daß denen, die Gott lieben, TWV 1:1682Wisset ihr nicht, daß euer Leib, TWV 1:1686Wo bleibt die brüderliche Lieb, TWV 1:1689Wo ist solch ein Gott, TWV 1:1721Wohin ich nur die Augen wende, TWV 1:1692Wohin ich nur die Augen wende, TWV 1:1693Wohl auf, mein Herze, TWV 1:1697Wollen wir nicht eins musiciren?Wünschet Jerusalem Glück, TWV 1:1726

Z

Zerknirsche du mein blödes Herze, TWV 1:1727bZeug, ohn Verzug, in deinen Nöten, TWV 1:1728Zirkelkanon, TWV 40:A103Zischet nur, stechet, ihr feurigen Zungen, TWV 1:1732Zu dir flieh ich, verstoss mich nicht, TWV 1:1735Zürne nur, du alte Schlange, TWV 1:1735aZween Jünger gehn nach Emmaus, TWV 1:1738

Ü

Über der Propheten Blut, TWV 1:1425b
Wikipedia
Georg Philipp Telemann (24 March [O.S. 14 March] 1681 – 25 June 1767) (German pronunciation: [ˈteːləman]) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died less than two years after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him.
Telemann is one of the most prolific composers in history, at least in terms of surviving oeuvre. He was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally. As part of his duties, he wrote a considerable amount of music for educating organists under his direction. This includes 48 chorale preludes and 20 small fugues (modal fugues) to accompany his chorale harmonisations for 500 hymns. His music incorporates French, Italian, and German national styles, and he was at times even influenced by Polish popular music. He remained at the forefront of all new musical tendencies, and his music stands as an important link between the late Baroque and early Classical styles. The Telemann Museum in Hamburg is dedicated to him.
Telemann was born in Magdeburg, then the capital of the Duchy of Magdeburg, Brandenburg-Prussia. His father Heinrich, deacon at the Church of the Holy Spirit (Heilige-Geist-Kirche), died when Telemann was four. The future composer received his first music lessons at 10, from a local organist, and became immensely interested in music in general, and composition in particular. Despite opposition from his mother and relatives, who forbade any musical activities, Telemann found it possible to study and composed in secret, even creating an opera at age 12.
In 1697, after studies at the Domschule in Magdeburg and at a school in Zellerfeld, Telemann was sent to the famous Gymnasium Andreanum at Hildesheim, where his musical talent flourished, supported by school authorities, including the rector himself. Telemann was becoming equally adept both at composing and performing, teaching himself flute, oboe, violin, viola da gamba, recorder, double bass, and other instruments. In 1701 he graduated from the Gymnasium and went to Leipzig to become a student at the Leipzig University, where he intended to study law. He ended up becoming a professional musician, regularly composing works for Nikolaikirche and even St. Thomas (Thomaskirche). In 1702 he became director of the municipal opera house Opernhaus auf dem Brühl, and later music director at the Neukirche. Prodigiously productive, Telemann supplied a wealth of new music for Leipzig, including several operas, one of which was his first major opera, Germanicus. However, he became engaged in a conflict with the cantor of the Thomaskirche, Johann Kuhnau. The conflict intensified when Telemann started employing numerous students for his projects, including those who were Kuhnau's, from the Thomasschule.
Telemann left Leipzig in 1705 at the age of 24, after receiving an invitation to become Kapellmeister for the court of Count Erdmann II of Promnitz at Sorau (now Żary, in Poland). His career there was cut short in early 1706 by the hostilities of the Great Northern War, and after a short period of travels he entered the service of Duke Johann Wilhelm, in Eisenach where Johann Sebastian Bach was born. He became Konzertmeister on 24 December 1708 and Secretary and Kapellmeister in August 1709. During his tenure at Eisenach, Telemann wrote a great deal of music: at least four annual cycles of church cantatas, dozens of sonatas and concertos, and other works. In 1709, he married Amalie Louise Juliane Eberlin, lady-in-waiting to the Countess of Promnitz and daughter of the musician Daniel Eberlin. Their daughter was born in January 1711. The mother died soon afterwards, leaving Telemann depressed and distraught.
After less than a year he sought another position, and moved to Frankfurt on 18 March 1712 at the age of 31 to become city music director and Kapellmeister at the Barfüßerkirche and St. Catherine's Church. In Frankfurt, he fully gained his mature personal style. Here, as in Leipzig, he was a powerful force in the city's musical life, creating music for two major churches, civic ceremonies, and various ensembles and musicians. By 1720 he had adopted the use of the da capo aria, which had been adopted by composers such as Domenico Scarlatti. Operas such as Narciso, which was brought to Frankfurt in 1719, written in the Italian idiom of composition, made a mark on Telemann's output.
On 28 August 1714, three years after his first wife had died, Telemann married his second wife, Maria Catharina Textor, daughter of a Frankfurt council clerk. They eventually had nine children together. This was a source of much personal happiness, and helped him produce compositions. Telemann continued to be extraordinarily productive and successful, even augmenting his income by working for Eisenach employers as a Kapellmeister von Haus aus, that is, regularly sending new music while not actually living in Eisenach. Telemann's first published works also appeared during the Frankfurt period. His output increased rapidly, for he fervently composed overture-suites and chamber music, most of which is unappreciated. These works included his 6 Sonatas for solo violin, known as the Frankfurt Sonatas, published in 1715. In the latter half of the Frankfurt period, he composed an innovative work, his Viola Concerto in G major, which is twice the length of his violin concertos. Also, here he composed his first choral masterpiece, his Brockes Passion, in 1716.
The composer, however, was still ambitious and wishing for a better post, so in 1721 he accepted the invitation to work in Hamburg as Kantor of the Johanneum Lateinschule, and music director of the five largest churches. Soon after arrival, Telemann encountered some opposition from church officials who found his secular music and activities to be too much of a distraction for both Telemann himself and the townsfolk. The next year, when Johann Kuhnau died and the city of Leipzig was looking for a new Thomaskantor, Telemann applied for the job and was approved, yet declined after Hamburg authorities agreed to give him a suitable raise. After another candidate, Christoph Graupner, declined, the post went to Johann Sebastian Bach.
Telemann took a few small trips outside of Germany at this time. However, later in the Hamburg period he travelled to Paris and stayed for eight months, 1737 into 1738. He heard and was impressed by Castor et Pollux, an opera by French composer Jean-Philippe Rameau. From then on, he incorporated the French operatic style into his vocal works. Before then, his influence was primarily Italian and German. Apart from that, Telemann remained in Hamburg for the rest of his life. A vocal masterpiece of this period is his St Luke Passion from 1728, which is a prime example of his fully matured vocal style.
His first years there were plagued by marital troubles: his wife's infidelity, and her gambling debts, which amounted to a sum larger than Telemann's annual income. The composer was saved from bankruptcy by the efforts of his friends, and by the numerous successful music and poetry publications Telemann made during the years 1725 to 1740. By 1736 husband and wife were no longer living together because of their financial disagreements. Although still active and fulfilling the many duties of his job, Telemann became less productive in the 1740s, for he was in his 60s. He took up theoretical studies, as well as hobbies such as gardening and cultivating exotic plants, something of a fad in Hamburg at that time, and a hobby shared by Handel. Most of the music of the 1750s appears to have been parodied from earlier works. Telemann's eldest son Andreas died in 1755, and Andreas' son Georg Michael Telemann was raised by the aging composer. Troubled by health problems and failing eyesight in his last years, Telemann was still composing into the 1760s. He died on the evening of 25 June 1767 from what was recorded at the time as a "chest ailment." He was succeeded at his Hamburg post by his godson, Johann Sebastian Bach's second son Carl Philipp Emmanuel Bach.
Telemann was one of the most prolific major composers of all time: his all-encompassing oeuvre comprises more than 3,000 compositions, half of which have been lost, and most of which have not been performed since the 18th century. From 1708 to 1750, Telemann composed 1,043 sacred cantatas and 600 overture-suites, and types of concertos for combinations of instruments that no other composer of the time employed. The first accurate estimate of the number of his works was provided by musicologists only during the 1980s and 1990s, when extensive thematic catalogues were published. During his lifetime and the latter half of the 18th century, Telemann was very highly regarded by colleagues and critics alike. Numerous theorists (Marpurg, Mattheson, Quantz, and Scheibe, among others) cited his works as models, and major composers such as J. S. Bach and Handel bought and studied his published works. He was immensely popular not only in Germany but also in the rest of Europe: orders for editions of Telemann's music came from France, Italy, the Netherlands, Belgium, Scandinavian countries, Switzerland, and Spain. It was only in the early 19th century that his popularity came to a sudden halt. Most lexicographers started dismissing him as a "polygraph" who composed too many works, a Vielschreiber for whom quantity came before quality. Such views were influenced by an account of Telemann's music by Christoph Daniel Ebeling, a late-18th-century critic who in fact praised Telemann's music and made only passing critical remarks of his productivity. After the Bach revival, Telemann's works were judged as inferior to Bach's and lacking in deep religious feeling. For example, by 1911, the Encyclopædia Britannica lacked an article about Telemann, and in one of its few mentions of him referred to "the vastly inferior work of lesser composers such as Telemann" in comparison to Handel and Bach.
Particularly striking examples of such judgements were produced by noted Bach biographers Philipp Spitta and Albert Schweitzer, who criticized Telemann's cantatas and then praised works they thought were composed by Bach, but which were composed by Telemann. The last performance of a substantial work by Telemann (Der Tod Jesu) occurred in 1832, and it was not until the 20th century that his music started being performed again. The revival of interest in Telemann began in the first decades of the 20th century and culminated in the Bärenreiter critical edition of the 1950s. Today each of Telemann's works is usually given a TWV number, which stands for Telemann-Werke-Verzeichnis (Telemann Works Catalogue).
Telemann's music was one of the driving forces behind the late Baroque and the early Classical styles. Starting in the 1710s he became one of the creators and foremost exponents of the so-called German mixed style, an amalgam of German, French, Italian and Polish styles. Over the years, his music gradually changed and started incorporating more and more elements of the galant style, but he never completely adopted the ideals of the nascent Classical era: Telemann's style remained contrapuntally and harmonically complex, and already in 1751 he dismissed much contemporary music as too simplistic. Composers he influenced musically included pupils of J.S. Bach in Leipzig, such as Wilhelm Friedemann Bach, Carl Philipp Emmanuel Bach and Johann Friedrich Agricola, as well as those composers who performed under his direction in Leipzig (Christoph Graupner, Johann David Heinichen and Johann Georg Pisendel), composers of the Berlin lieder school, and finally, his numerous pupils, none of whom, however, became major composers.
Equally important for the history of music were Telemann's publishing activities. By pursuing exclusive publication rights for his works, he set one of the most important early precedents for regarding music as the intellectual property of the composer. The same attitude informed his public concerts, where Telemann would frequently perform music originally composed for ceremonies attended only by a select few members of the upper class.
Sonata da chiesa, TWV 41:g5 (for Melodic instrument – Violin, Flute or Oboe, from Der getreue Musikmeister)
Notes
Sources