Translation: May have been intended to be accompanied ad lib, or there may have been an original continuo part.
Translation: Unless Byrd had access to pre-publication copies of the Primer. to this writer. Sing ye to our Lord.
Translation: 1 to m. 17 to m. 34 to the end. Collegio romano ms. equal voices. Capella Giulia ms. Giovanni Pierluigi da Palestrina.
Translation: or Glock or Piano RH 8ves in alt. GRAHAM GARTON. Choir orchestra. Baritone Solo. Bass Trombone. Bassoons I. Clarinets in A I.
Translation: Score and Parts. J. Tomasi.
Translation: It was not crying her. To those already happy. He could not find my faith.
Translation: ATB. There is nothing by this title in Grove Music's work list for Palestrina. Several entries in WorldCat.
Translation: It is widely held that the Latin text was added later in order to preserve it in the library of Reading Abbey. 6 equal voices.
Translation: Hi radix. the integrity of the harmony of this piece, and not merely supplementary or cadentially decorative. A cappella.
Translation: however, if support is needed in performance a light organ sound, preferable a portative, would be appropriate. A cappella.
Translation: The source used presented the music as a duet for women's voices, which this arranger either lost or discarded years ago. German.
Translation: whilst even a less experience one should be able, with a little work and patience, to take on the piece successfully.
Translation: In 1777, Mozart asked to be dismissed from the archbishop's service. Original text and translations may be found at.
Translation: The work includes an optional solo in the tenor line, which would also suit a baritone, or even a low alto.
Translation: The work is suitable for a cappella performance, OR piano accompaniment, OR harpsichord, OR guitar OR lute.
Translation: create a sacred space each time they gather or work. Leanne Daharja Veitch. Tibetan singing bowl. Sacred , Pagan music. Language.