Translation: A Blessed Virgin Mary hymn transcribed from the Trent manuscript tr87. The coloured are in "proportio sesquialtera".
Translation: The time signatures, notes' values, accidentals and colourings are as in the manuscript. A cappella.
Translation: Hatchlings CAELO prodiit. The time signatures, notes' values, accidentals and colourings are as in the manuscript.
Translation: Transcribed from the Trent manuscript tr88, the Tenor is taken from the Binchois ’ chanson “ Files a marier ”.
Translation: All the three voices have only the text incipit of the second verse of the hymn. Martyris Christi. Anonymous.
Translation: The coloured couples semibreves-minima as well as the section with a leading "3" are in "proportio sesquialtera".
Translation: Where the time signature is missing a "tempus" is assumed accordingly with the context. Anonymous. A cappella. Sacred , Motet.
Translation: There are Graduale, Alleluia, Offertorium and Communio only, transcribed from the Trent manuscript tr88. Language.
Translation: The notes' values within the "ligaturæ" are as follows. Anonymous. A cappella.
Translation: The time signatures, notes' values and colourings are as in the manuscript. Anonymous.
Translation: The notes' values and colourings are as in the manuscript. The perfect notes and rests are dotted. A cappella.
Translation: The coloured notes containing minimæ are in “proportio sesquialtera”. XIV. Anonymous. unknown.
Translation: The time signatures, notes' values and colourings are as in the manuscript. XII. Anonymous. A cappella.
Translation: clef would be the most obvious solution but, for musical reasons, we choose to keep the voice an octave higher. tr93.
Translation: The keys, notes' values, accidentals and colourings are as in the manuscript. Anonymous. A cappella.
Translation: with the later addition of two alternative Kyrie and an Agnus Dei to make it a Roman rite full cycle. unknown. Sacred , Mass.
Translation: The time signatures, notes' values and colourings are as in the manuscript. A cappella.
