Translation: Transcribed from the Trent manuscript tr88. The keys, notes' values, accidentals and colourings are as in the manuscript.
Translation: Alternatim setting of even verses, in what appears a Lydian-flavored tone VI. The same music is used for verses 2 & 8. 4 & 10.
Translation: Transcribed from the Trent manuscript tr87. The notes' values are as in the manuscript.
Translation: "Et exultavit", "Quia fecit" & "Fecit potentiam" only.
Translation: Language. Latin. The three-part music of Et exultavit is to be reused for Sicut locutus and likewise the 3-part Fecit potentiam.
Translation: Alternatim setting of vv. 2, 4 & 6.
Translation: SATB. Aldrich was a theologian, historian. co-editor of Clarendon's Rebellion. , architect. of Peckwater Quad, Christ Church.
Translation: A setting of the Magnificat by John Alcock jr. , from pages 35-38 of his Parochial Harmony.
Translation: , published on pages 21-26 of his collection A Morning and Evening Service. Setting of the Magnificat. by John Alcock sr.
Translation: A cappella. Language. SATB. printed in Cathedral Music, Volume 1. William Boyce.
Translation: , published on pages 27-29 of his collection A Morning and Evening Service. Setting of the Nunc Dimittis. by John Alcock sr.
Translation: A setting of the Nunc Dimittis by John Alcock jr. , from pages 39-40 of his Parochial Harmony.
Translation: SSATB. Michael Praetorius sets verses of the Magnificat in alternatim style, troped with Lutheran Easter hymns.
Translation: Magnificat tones quarters a4, Impares. Latin.