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Original: Attende Domine. It provides a modern setting with accessible ranges for a choral schola or choir. Arrangement. Anonymous. A cappella.

Translation: Waits Domine. Gregorian chant. Sacred , Hymn Meter. 11 8. 11 11 11. Language.

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Original: Why dost thou shoot. Original is set for SSSATB, but the Alto and Tenor have exactly the same range, rather low for the Alto. SSATTB.

Translation: John Wilbye. A cappella. Secular , Madrigal. Language. English. No. 30 from The 1st Set of Madrigals.

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Missa Prima. Michael Haller. Organ. Sacred , Mass. Language. Latin. SAB. See his Introduction to the original 1875 edition.

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Original: Anima mea liquefacta est. Any instrument of the composer's time period is applicable if it has the required range. Leonel Power. ATT.

Translation: a cappella , or with 2 instruments to play lower voices, E-a' & F-a'. Sacred , Motet. Language. Latin. Countertenor and Tenor are untexted.

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Original: You Lovers That Have Loves Astray. John Hilton the younger. A cappella. Secular , Madrigal. Language. English.

Translation: The Altus part has a higher range than the Cantus in the original, so SST is a more appropriate voicing.

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Original: With rue my heart is laden. Voice range. Udo Baake. Piano. Secular , Lied. Language. English. Solo medium. c - e.

Translation: Udo Baakenhafen. Plan. Only medium.

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Original: Early to bed. Due to the wide range, this round is not well suited for singing by young children. Anonymous. Traditional. A cappella.

Translation: Secular , Canon. Language. English. 3 equal voices. The words are found in Benjamin Franklin 's Poor Richard's Almanac.

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Original: The Mikado. Largely easy, though often written towards to top of the range. Arthur Sullivan. Orchestra. Secular , Operetta. Language.

Translation: Secular, Operetta. English. SATB. No. 13 of the 16 Savoy Operas. One of the most successful Operas in history. Wonderful catchy tunes.

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Original: Ah, Sunflower. Technically in SAT range, but probably best suited to female alto. Jon Corelis. Piano. Secular , Partsong. Language.

Translation: Plan. English. SAT. Musical setting for Blake's Ah,Sunflower.

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Original: Sappho. Written for female alto voice, though according to the voice charts it should also be within soprano range. Ode to Aphrodite.

Translation: Jon Corelis. Harp. Secular , Partsong. Language. English. An experimental piece. so far as they're understood.

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Original: Anthem. accompanied version. Anonymous. Traditional. Organ. Secular , Anthem. Language. English. The words are mine.

Translation: the melody is my arrangement of the traditional Welsh song The bells of Aberdovey.

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Original: Amantes serafines. The tenor part is within the range of baritone voices. Juan Francés de Iribarren. Mixed ensemble. Language. SSAT.

Translation: Mixed together. Sacred, Carol. Spanish. A four part villancico with violin and horn accompaniment.

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Original: A Pentatonic Kyrie. The tonality ranges from archaic pentatonics in the "Kyrie" sections to "sweeter" sounds in the "Christe". Greek.

Translation: Christoph Dalitz. A cappella. Sacred , Mass. Language. SATB. Original text and translations. Original text and translations may be found at.

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Original: Magnificat Sexti Toni a 3. Christoph Dalitz. A cappella. Sacred , Evening Canticles. Language. Latin.

Translation: The style is oriented at 16th century Magnificat settings, but it is devised to suit modern voice ranges and to be easily learnable.

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Original: Magnificat Secundi Toni a 2. Christoph Dalitz. A cappella. Sacred , Evening Canticles. Language. Latin.

Translation: The style is oriented at 16th century Magnificat settings, but it is devised to suit modern voice ranges and to be easily learnable.

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In the lonely vale. John Wall Callcott. A cappella. Secular , Glee. Language. English. SATB.

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Original: Way up. A simple little piece with a reasonable vocal range for all voices. Maggie Furtak. A cappella. Secular , Partsong. Language.

Translation: English. SATB. Work towards a nice flowing line, or try feeling it in 2. All those eighths can get choppy.

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