Translation: Guillaume Dufay. Sacred , Motet. Languages. French , Latin. SATB.
Translation: Note that the melody is in the Tenor line. Secular , Hymn. Language. English. The composer writes.
Translation: Suitable for use in the Preces and Responses of Evensong or Matins instead of a unison Our Father on one note. Anonymous.
Translation: Cantus is composed in free Counterpoint, Altus is a monotone ostinato and the tenorparts are a four in one Canon in the unison.
Translation: This one, despite the poor quality of the text, is one of the best in his whole production. Plan.
Translation: Treble, Mean, Alto, Tenor, Baritone, Bass.
Translation: In the sixth bar, the last two notes should be treated as one, making a melisma of the last syllable sung in that bar.
Translation: This one is the exception. Sacred , Partsong. Language. SATB.
Translation: high to sing comfortably, leave it out and come in on the second note, please. within the choir, probably one of the men.
Translation: motet loosely based on the plainchant for the same text.
Translation: The first section of this piece could be sung by a soloist, a small group of women, or all women.
Translation: The source for this psalm is found in manuscript and microfilm.
Translation: The coloured notes are in “proportio sesquialtera”. The notes' values within the ligaturæ are as follows. Latin.
Translation: Main sheet music.
