Giuseppe Concone
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15 Études de genre et d'expression, Op.2515 Études de salon, Op.3915 Études de style, Op.3115 Études élémentaires, Op.4615 Études expressives, Op.4415 Gesangsübungen15 Vocalises, Op.1218 Solfeggi for two voices, easy and progressive20 Études chantantes, Op.3024 Préludes, Op.3725 Études mélodiques, Op.2425 Leçons de chant, Op.1025 Nouvelles leçons de chant40 Nouvelles leçons de chant, Op.1750 Leçons de chant, Op.9E
Elevation in A majorExercices pour la voix, Op.11J
JudithL
La polka des perlesLe langage des fleurs, Op.26Les batelièresLes saintes femmes au tombeau du ChristLes veillées du château, Op.51M
Mary, Mother SweetMissa in F majorO
O Salutaris in G majorOffertoryP
Prière du soirT
The School of Sight SingingW
Walter Scott lyriqueWikipediaGiuseppe Concone (1801 Turin - 1861 Turin) was an Italian vocal teacher.
For about ten years Concone resided in Paris as a teacher. When he returned to Turin in 1848, he was at the time of his death organist and choirmaster of the Court choir.
He is widely known for his vocal exercises—solfeggi and vocalizzi—which are unusually attractive for works of their kind, and at the same time excellent for their special purpose. Thomaidis and MacPherson describe them as 'lively' works in the Italian tradition of those times.
While in Paris he wrote three 'oratorios'; A guy named Smither said: "these are quite brief, include no orchestra but only piano accompaniment, and were evidently intended for performance in a private soiree rather than a theatre. No performance of any of the three is known."
He has also written some etudes for piano, his 25 Melodic Studies, Op. 24.