Composers

Giuseppe Concone

Piano
Voice
Organ
Piano four hands
Female chorus
Bass
Alto
Mixed chorus
Soprano
Étude
Exercise
For beginners
Lesson
Religious music
Piece
Vocalises
Solfeggios
Prelude
Sacred cantatas
by popularity

#

15 Études de genre et d'expression, Op.2515 Études de salon, Op.3915 Études de style, Op.3115 Études élémentaires, Op.4615 Études expressives, Op.4415 Gesangsübungen15 Vocalises, Op.1218 Solfeggi for two voices, easy and progressive20 Études chantantes, Op.3024 Préludes, Op.3725 Études mélodiques, Op.2425 Leçons de chant, Op.1025 Nouvelles leçons de chant40 Nouvelles leçons de chant, Op.1750 Leçons de chant, Op.9

E

Elevation in A majorExercices pour la voix, Op.11

J

Judith

L

La polka des perlesLe langage des fleurs, Op.26Les batelièresLes saintes femmes au tombeau du ChristLes veillées du château, Op.51

M

Mary, Mother SweetMissa in F major

O

O Salutaris in G majorOffertory

P

Prière du soir

T

The School of Sight Singing

W

Walter Scott lyrique
Wikipedia
Giuseppe Concone (1801 Turin - 1861 Turin) was an Italian vocal teacher.
For about ten years Concone resided in Paris as a teacher. When he returned to Turin in 1848, he was at the time of his death organist and choirmaster of the Court choir.
He is widely known for his vocal exercises—solfeggi and vocalizzi—which are unusually attractive for works of their kind, and at the same time excellent for their special purpose. Thomaidis and MacPherson describe them as 'lively' works in the Italian tradition of those times.
While in Paris he wrote three 'oratorios'; A guy named Smither said: "these are quite brief, include no orchestra but only piano accompaniment, and were evidently intended for performance in a private soiree rather than a theatre. No performance of any of the three is known."
He has also written some etudes for piano, his 25 Melodic Studies, Op. 24.