Translation: Johannes Ockeghem. Sacred , Motet. Language. SATB. 28, 31, 42.
Translation: the name Adam Storck is a pseudonym for Philipp Adam. Franz Schubert. Plan. Sacred , Lied. Solo Soprano.
Translation: Sacred , Motet , Office hymn. Lasso's alternatim setting of the office hymn for Candlemas. though appropriate for any Marian feast.
Translation: This setting of the office hymn for Marian feasts is No. 25 in Georg Rhau 's Sacrorum hymnorum liber primus. Thomas Stoltzer.
Translation: Marked "a voce pari" in the original print, and thus is suitable for various voice combinations. even verses. Latin.
Translation: Vespers of the Blessed Virgin. Sonata sopra Sancta Maria ora pro nobis. Ave maris stella. Vespers of 1610. Language.
Translation: for Palestrina's other settings of Ave Maria. Giovanni Pierluigi da Palestrina. Sacred , Motet. Language. Latin.
Translation: fewer melismas, parts set with just two voices. Even today, it is considered one of the most nearly perfect compositions of its era.
Translation: Sacred , Motet. Language. Latin. SATTB. Prima pars. Secunda pars.
Translation: Elgar arranged and orchestrated it as a setting of Ave verum corpus for publication in 1902. Edward Elgar. Language.
Translation: Meditation on the First Prelude Piano Bach, aka Ave Maria, CG 89a. Plan. Sacred, Air. Solo Soprano.
Translation: SATB. arranged by Pierre-Louis Dietsch from the original song, we see that men composed by Jacob Arcadelt for female voices.
Translation: It features extensive writing in canon. Charles H. Giffen. Language. Latin.
Translation: The soprano and bass parts are largely written in canon. Charles H. Giffen. Language. Latin.
Translation: who is known to have composed a parody Mass on the Josquin Ave Maria a 4. or SSATTB.
Translation: Es. J. B. Tresch. Sacred , Motet. Language. Latin. SATB.