Translation: Transcribed from the Royal Danish Library manuscript KB 1872. The notes' values, accidentals and colourings are as in the manuscript.
Translation: Only even verses are included. The Bass part is falsely assigned to the 1st choir in this last verse.
Translation: Languages. Greek , Latin. SATTB. Crucifixus section of Credo is SSAA.
Translation: Sacred , Motet. Language. SSATB. The Tenor part can easily be sung by basses.
Translation: The Altus part has a higher range than the Cantus in the original, so SST is a more appropriate voicing.
Translation: All 7 parts have a text underlay but the Altus, Bassus, Quintus, Sextus and Septimus parts are also labled as instrumental parts.
Translation: Salve Regina Diversa Several Orant. Paraphrases seven different chants. Cantus.
Translation: Sacred , Motet. Language. SSATTB. Part of the Sacræ Cantiones Liber Secundus, whose sextus and basses part books are lost.
Translation: Werken , edited by A. Smijers and others, Amsterdam, 1921-.
Translation: SSATB. Three voices. are more or less in canon, while the discantus and bassus have freer material.
Translation: Cantus is composed in free Counterpoint, Altus is a monotone ostinato and the tenorparts are a four in one Canon in the unison.
Translation: polyphonic version of Psalm 130, with French text by Marot, no link with the Geneva melody. Published by Jacques Moderne in Lyon.
Translation: Bassus Continuus. Bassus. Tenor.
Translation: wind band. Taylor Donaldson. No. 1 Cantus. Tpt.
Translation: No. 1 Cantus. No. 2 Septima vox.
Translation: SMN Archive Collection. Novato Music Press. SATB Choir.
