Ruslan and Lyudmila (Glinka, Mikhail)

Contents

Performances

Recordings

Overture

For 4 Accordions, Bass Accordion and Timpani (De Bra)

MP3 file (audio)
Pauldebra (2020/4/21)

Publisher Info. Paul De Bra, 2020.
Performers Professor P (Paul De Bra playing all parts, on 4 different accordions and one bass accordion)
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Misc. Notes Arrangement available from this page.
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Sheet Music

Full Scores

Complete

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4 more: Act II • Act III • Act IV • Act V

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Editor Mily Balakirev (1837-1910), Sergey Lyapunov (1859-1924) - Acts I-IV
Language Russian / German
Translator Lina Esbeer (fl.1892–1928), German text - Acts I-IV
Publisher. Info. Moscow: P. Jurgenson, n.d.(ca.1896). Plate 30261. (Acts I-IV)
Moscow: Muzyka, n.d.(1966). Plate 2424b. (Act V)
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A4014.
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Misc. Notes Mystery English translation is pasted over Ruslan's lines and certain others.
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17 more: Overture • Act I, No.1: Introduction • Act I, No.2: Ludmila's Cavatina • Act I, No.3: Finale I • Act II, Nos.4 to 6a • Act II, Nos.7 to 10 • Act III, Nos.11 to 15 • Act III, No.16: Finale III • Act IV, Nos.17 to 20 • Act IV, No.19bis to 20.bis • Act IV, Nos.21 to 22 • Act V, Nos.23 to 26 • Act V, No.27: Finale • Act V, No.27bis: Finale (continued) • Appendix • Stage Band Score - Nos.1, 19, 20 • Stage Band Score - No.21

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Arranger Nikolay Rimsky-Korsakov, stage band music
Editor Georgy Kirkor (1910-1980)
Publisher. Info. Polnoe Sobranie Sochinenii, Vol.14 (a, b)
Moscow: Muzyka, (1966). Plate 2424a, b.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Misc. Notes Includes Rimsky-Korsakov's arrangements for offstage band, and orchestral versions of some numbers. For a complete page index see Discussion
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Geniusboy98 (2021/3/25)

Publisher. Info. St. Petersburg: P. Jurgenson, n.d.(ca.1896).
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A4014.
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Overture

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Editor Hector Berlioz (1803-1869)
First edition (reissue)
Publisher. Info. Leipzig: C.F.W. Siegel, n.d.[1858]. Plate 1.
Reprinted Mainz: Fils de B. Schott, n.d.(ca.1860). Plate 15899.
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Feldmahler (2007/2/09)

Publisher. Info. Leipzig: Ernst Eulenburg, No.639, n.d.(ca.1895). Plate E.E. 3739*.
*originally issued by Donajowski before Eulenburg acquired their catalog.
Reprinted New York: E.F. Kalmus, n.d.(1933–70).
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Koppli1 (2023/5/17)

Publisher. Info. Leipzig: Ernst Eulenburg, No.639, n.d.(ca.1895). Plate E.E. 3739*.
Reprinted Russian-American Music Publishers, Inc., 1943.
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Alaric (2009/1/11)

Editor Georgy Kirkor (1910-1980)
Publisher. Info. Moscow: Muzyka, (1966). Plate 2424a.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Parts

Complete

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28 more: Flute 1 • Flute 2 • Oboe 1 • Oboe 2 • Clarinet 1 (A/B♭) • Clarinet 2 (A/B♭) • Bassoon 1 • Bassoon 2 • Contrabassoon • Horn 1 (B♭/C/E♭/E/F/G/A) • Horn 2 (B♭/C/E♭/E/F/G/A) • Horn 3 (B♭/C/D♭/D/E♭/E/G) • Horn 4 (B♭/B/C/D♭/D/E♭/E/G) • Trumpet 1 (C/D/E♭/E/F) • Trumpet 2 (C/D/E♭/E/F) • Alto Trombone • Tenor Trombone • Bass Trombone • Timpani • Snare Drum, Bass Drum/Cymbals, Tambourine, / Tam-Tam, Triangle, Glockenspiel • Piano • Harp • Glass Harmonica • Violins I • Violins II • Violas • Cellos • Basses

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Publisher. Info. St. Petersburg: P. Jurgenson, n.d.(ca.1896).
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A4014.
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Misc. Notes Contrabassoon is a manuscript part.
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Overture

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Ottaviano (2009/8/21)

13 more: Oboe 1, 2 • Clarinet 1, 2 (A) • Bassoon 1, 2, Contrabassoon • Horn 1, 2 (A) • Horn 3, 4 (D) • Trumpet 1, 2 (D) • Trombone 1, 2, 3 (tenor, bass clefs) • Timpani • Violins I • Violins II • Violas • Cellos • Basses

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Generoso (2009/1/18)

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Ottaviano (2009/8/21)

Editor Hector Berlioz (1803-1869)
Publisher. Info. Mainz: Fils de B. Schott, n.d.(ca.1865).
Reprinted New York: E.F. Kalmus, n.d.(1933–70).
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Misc. Notes These files are part of the Orchestra Parts Project.
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Selections

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IgorCello (2016/6/29)

Publisher. Info. Moscow: Unidentified Publisher, n.d.
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Misc. Notes Excerpts from the Opera.
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Vocal Scores

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Carolus (2017/1/29)

Editor First edition* ?
Engraver W. Mittelhaus
Language Russian / German
Publisher. Info. St. Petersburg: F. Stellovsky, 1856. Plate 301 (1-26).
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Misc. Notes *See note below on the Odeon edition.
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16 more: 1b. Introduction • 2. Cavatina (Lyudmila) • 4a. Ballad (Finn) • 4b. Duettino (Ruslan, Finn) • 5. Scene and Rondo (Farlaf) • 6. Aria (Ruslan) • 8. Persian Chorus • 9. Scene and Cavatina (Gorislava) • 10. Aria (Ratmir) • 11. Dance • 13. Scene and Aria (Lyudmila) • 14. March • 15. Oriental Dances • 18. Romance (Ratmir) • 19. Recitative and Chorus • 20. Duet (Finn, Ratmir)

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Engraver W. Mittelhaus
Language Russian / German
Publisher. Info. St. Petersburg: Odèon, n.d. Plate 301 (1a-20).
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Misc. Notes It is possible this is the actual first edition of the opera. Stellovsky started his company only around 1850, about 7 years after the opera's premiere. This engraving, issued in separate numbers, is identical to the 1856 score above.
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Carolus (2016/5/2)

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Mcroskell (2007/7/26)

Arranger Sergey Lyapunov (1859-1924), piano reduction
Editor Mily Balakirev (1837-1910)
Language Russian / German
Translator Lina Esbeer (fl.1892–1928), German text
Publisher. Info. Moscow: P. Jurgenson, n.d.[1896]. Plate 30087-113a.
Reprinted Moscow: Muzgiz, 1938. Plate M. 12082 Г. (#10833)
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Misc. Notes Jurgenson issued a full score at about the same time (Plate 30261, 713 pages).
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Arrangements and Transcriptions

Selections

For Piano (Composer)

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Arranger composer
Editor Sergey Vasilenko (1872-1956)
Aleksandr Ossovsky (1871-1957)
Publisher. Info. Полное собрание сочинений, Vol.6 (pp.251-54)
Moscow: Muzgiz, 1958. Plate M. 26944 Г.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Misc. Notes From Act II and IV
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Overture

For Theatre Orchestra (Godfrey)

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Arranger Charles Godfrey (1839-1919)
Publisher. Info. London: Boosey & Hawkes, 1926. Plate H. & S. 6421.
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For 15 Saxophones, Percussion and Piano (Larocque)

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7 more: Soprano 1, 2 • Alto I (a-b), II (a-b), III (a-b) • Tenor 1, 2, 3 • Baritone 1, 2, 3 • Bass • Percussion 1,2, 3, 4 / (Timpani, S. D./Cymb., B. D./Vibraphone, Xylophone/Glock.) • Piano

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Arranger Jacques Larocque
Publisher. Info. Saint-Maurice, QC: Productions du Moliantegok, 2000. Moli 245020
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Misc. Notes Those files are part of Moliantegok Catalogue for saxophone
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For 4 Accordions, Bass Accordion and Timpani (De Bra)

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Arranger Paul De Bra (b. 1959)
Publisher. Info. Paul De Bra, 2020.
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Misc. Notes Can also be performed without Timpani (Bass Accordion takes over most of it).
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For Piano 4 hands

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Morel (2011/11/23)

Arranger Unknown
Editor Louis Oesterle (1854-1932)
Publisher. Info. New York: G. Schirmer, 1909. Plate 21031.
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Chernomor's March (Act IV, No.19)

For Piano (Liszt)

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Funper (2010/6/16)

Arranger Franz Liszt (1811-1886)
Editor First edition
Publisher. Info. Leipzig: J. Schuberth & Co., n.d.(ca.1843). Plate 650.
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Misc. Notes From the Ruth Dana Collection of Liszt Editions.
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Chorus of Maidens (Act IV, No.21)

For Piano (Shestakova)

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Mcroskell (2007/7/27)

Arranger Lyudmila Shestakova (1816-1906)
Publisher. Info. Moscow: Muzyka, n.d.(ca.1987). Plate 13565.
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Misc. Notes From the album of the composer's sister Lyudmila Ivanovna Shestakova
This file is from the MIT archive project.
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General Information

Work Title Руслан и Людмила
Alternative. Title Ruslan and Ludmila
Name Translations Rouslan et Ludmila; Ruslan i Liudmila; Ruslan und Ljudmila; Ruslán y Liudmila; Ruslan ja Ljudmila; רוסלאן ולודמילה; Ruslan e Ludmilla; ルスランとリュドミラ; რუსლანი და ლუდმილა; 루슬란과 류드밀라; Ruslanas ir Liudmila; Rusłan i Ludmiła; Ruslan och Ludmila; Руслан і Людмила; 盧斯蘭與魯蜜拉; รุสลันกับลุดมิลา; Ռուսլան և Լյուդմիլա (օպերա); Ruslan ha Ludmila; Ruslan và Lyudmila; Ruslan a Ludmila; Ruslan și Ludmila; Ruslan kaj Ludmila; Ruslan og Ljudmila; Ruslan eta Liudmila
Name Aliases Ruslan y Liudmila; Ruslan a Ludmila (opera); Ruslan şi Ludmila
Authorities WorldCat; Wikipedia; VIAF: 444150323915909972610; LCCN: n80120762; GND: 300059949
Composer Glinka, Mikhail
I-Catalogue NumberI-Cat. No. IMG 33
Movements/SectionsMov'ts/Sec's 5 acts:
Overture
  • Act I
1. Introduction
2. Cavatina (Lyudmila)
3. Finale
  • Act II
4. Entr'acte
5. Ballad (Finn)
6. Duettino (Ruslan, Finn)
7. Scene and Rondo (Farlaf)
8. Aria (Ruslan)
9. Scene with the Head
10. Finale (Tale of the Head)
  • Act III
11. Entr'acte
12. Persian Chorus
13. Cavatina (Gorislava)
14. Aria (Ratmir)
15. Dances
16. Finale
  • Act IV
17. Entr'acte
18. Scene and Aria (Lyudmila)
19. March
20. Oriental Dances
21. Chorus
22. Finale
  • Act V
23. Entr'acte
24. Romance (Ratmir)
25. Recitative and Chorus
26. Duet (Finn, Ratmir)
27. Finale
Year/Date of CompositionY/D of Comp. 1837–42
First Performance. 1842-12-09 in St. Petersburg, Bolshoy Kamenniy Theatre
Voices, Chorus, Orchestra, Karl Albrecht (conductor)
First Publication. 1856 - St. Petersburg: F.T. Stellovsky (vocal score)*
Librettist Valerian Shirkov, Nestor Kukolnik, Mykola Markevych, et al.
after Aleksandr Pushkin
Language Russian
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voices, mixed chorus, orchestra
Related Works Pieces based on 'Ruslan and Lyudmila'
External Links Wikipedia article
Extra Information *Stellovsky didn't issue a full score until 1878. (Plates 7000-7009, 724 pages)