Violin Concerto No.1, Op.35 (Szymanowski, Karol)

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PDF scanned by PL-Wu
Geniusboy98 (2017/7/25)

Editor Paul Kochanski (1887-1934), cadenza and violin part
First edition
Publisher. Info. Vienna: Universal Edition, 1923*. Plate U.E. 7260.
Copyright
Misc. Notes This was Paul Kochanski's personal score, as it bears his stamp on the title page, and a handwritten note from Szymanowski on the instrumentation page. The score is heavily marked.
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Sallen112 (2018/6/11)

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Taminopapageno (2015/3/30)

Editor Paul Kochanski (1887-1934), cadenza and violin part
Stanisław Wisłocki (1921-1998)
Eugenia Umińska (1910-1980)
Publisher. Info. PWM: Polskie Wydawnictwo Muzyczne, 1955. Plate PWM 1776.
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This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

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Misc. Notes #527425: 600 dpi. Page size is 11.67 x 16.34 inches.
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Editor Paul Kochanski (1887-1934), cadenza and violin part
Adam Walaciński (1928-2015), preface*
Publisher. Info. Karol Szymanowski: Gesamtausgabe, Serie A, Bd.3
Krakow: Polskie Wydawnictwo Muzyczne, n.d. Plate PWM-6751.
Reprinted Vienna: Universal Edition, 1972. Plate U.E. 17402.
URTEXT EDITION 

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In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Misc. Notes 600 dpi. Page size is 10.54 x 13.82 inches. *Preface removed due to editor being under copyright everywhere.
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PDF scanned by Geniusboy98
Geniusboy98 (2017/5/4)

Editor Paul Kochanski (1887-1934), cadenza and violin part
Adam Walaciński (1928-2015)
Publisher. Info. Karol Szymanowski: Gesamtausgabe, Serie A, Bd.3 (pp.1-102)
Krakow: Polskie Wydawnictwo Muzyczne, 1976. Plate PWM-7488.
Reprinted Vienna: Universal Edition, 1976. Plate U.E. 17402.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Parts

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Mpcgd (2011/6/16)

Editor Paul Kochanski (1887-1934), cadenza and violin part
Eugenia Umińska (1910-1980)
Jerzy Lefeld (1898-1980)
Publisher. Info. Warsaw: PWM, (1952). Plate PWM-7343.
URTEXT EDITION 

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Misc. Notes 300dpi B/W. Reprinted by Masters Music
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M.kowalski49 (2014/8/4)

38 more: Flute 2 • Flute 3 (also Piccolo) • Oboe 1 • Oboe 2 • Oboe 3 (also English Horn) • Clarinet 1 (A) • Clarinet 2 (B♭) • Clarinet 3 (B♭) (also E♭ Clarinet) • Bass Clarinet (B♭) • Bassoon 1 • Bassoon 2 • Bassoon 3 (also Contrabassoon) • Horn 1 (F) • Horn 2 (F) • Horn 3 (F) • Horn 4 (F) • Trumpet 1 (C) • Trumpet 2 (C) • Trumpet 3 (C) • Trombone 1 • Trombone 2 • Trombone 3 • Tuba • Glockenspiel/Timpani/Triangle/Cymbals/ / Bass Drum/Snare Drum/Tambourine/Glockenspiel • Piano • Celesta • Harp 1 • Harp 2 • Violins I (clean copy) • Violins II (clean copy) • Violas (clean copy) • Cellos (clean copy) • Basses (clean copy) • Violins I (with bowings) • Violins II (with bowings) • Violas (with bowings) • Cellos (with bowings) • Basses (with bowings)

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Editor Revised edition
Publisher. Info. Vienna: Universal Edition, 1976. Plate U.E. 19 038.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Arrangements and Transcriptions

For Violin and Piano (Kanitz)

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Geniusboy98 (2017/10/19)

PDF scanned by Geniusboy98
Geniusboy98 (2017/10/19)

Arranger Ernest Kanitz (1894-1978)
Editor Paul Kochanski (1887-1934), cadenza and violin part
First edition
Publisher. Info. Vienna: Universal Edition, 1921. Plate U.E. 6624(a).
Reprinted Huntsville: Recital Publications, 1997. Catalogue No.642.
Copyright
Misc. Notes The reprint omits the plate numbers
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Braille Scores

BRF typeset by editor
Feduol (2024/1/10)

Editor Hu Haipeng (b. 1984)
Publisher. Info. Hu Haipeng, 2019.
Copyright
Misc. Notes Braille score in customized (combining bar-over-bar and line-over-line) format, 40 cells per line.
See here for additional information on Braille scores.
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General Information

Work Title Violin Concerto No.1
Alternative. Title I Koncert Skrzypcowy
Name Translations Vioolconcert nr. 1; Violin Concerto No. 1; Concerto pour violon n° 1 op. 35; ヴァイオリン協奏曲第1番; 第1号小提琴协奏曲; Concert per a violí núm. 1 (Szymanowski)
Name Aliases Vioolconcert nr. 1 (Szymanowski); Violin Concerto No. 1, Op. 35
Authorities WorldCat; Wikipedia; VIAF: 292387187; LCCN: no97074074; BNF: 13951269x
Composer Szymanowski, Karol
Opus/Catalogue NumberOp./Cat. No. Op.35
I-Catalogue NumberI-Cat. No. IKS 55
Year/Date of CompositionY/D of Comp. 1916
First Performance. 1922-11-01 in Warsaw, Philharmonic Hall
Józef Ozimiński (violin), Warsaw Philharmonia, Emil Młynarski (conductor)
First Publication. 1921 (violin and piano), 1923* (full score)
Dedication Paul Kochanski (b. Pavel Koschansky)
Average DurationAvg. Duration 18-20 minutes
Composer Time PeriodComp. Period Early 20th century
Piece Style Early 20th century
Instrumentation violin, orchestra
Solo: violin
Orchestra:
3 flutes (3rd also piccolo), 3 oboes (3rd also English horn),
3 clarinets (1 in A, 2 in B, 3rd also E clarinet), bass clarinet (B),
3 bassoons (3rd also contrabassoon)
4 horns (F), 3 trumpets (C), 3 trombones, tuba
timpani, triangle, cymbals, bass drum, snare drum, tambourine, glockenspiel
celesta, piano, 2 harps, strings (12, 12, 8, 8, 6)
Discography MusicBrainz
Authorities Wikidata
Manuscript Sources Holograph manuscript (ÖNB)
External Links Szymanowski site
Wikipedia article
Extra Information *Publication details