Sheet music $8.95

Original

Literature-and Fairytale Compositions. Cello Solo sheet music. Intermediate.

Translation

Literature-and Fairytale Compositions. Cello Solo sheet music. Intermediate.

Original

Literature-and Fairytale Compositions composed by Regine Brunke. For violoncello solo. Sound Research of Women Composers. Contemporary Music. C 232. 21st century. Medium. Score. Modern typesetting. 12 pages. Duration 20 minutes. Published by Furore Verlag. FV.FUE-10115. ISBN 979-0-50182-115-0. With modern typesetting. 21st century. Sonatine h-Moll op. Begegnung, Boser Zauber, Verwandlung, Erlosung Schattenszenen. 2001. Elegie I, Danza, Choral, Rhapsodie, Elegie II The compositions are very well suited for musical accompaniment at private viewings, readings, funeral services and church services, also suited to concert and competition repertoire. The compositions are very well suited for musical accompaniment at private viewings, readings, funeral services and church services, also suited to concert and competition repertoire. The pieces demand a high degree of musical expressiveness and confident solo ability on the part of the cellist. In terms of technical difficulty, they are more or less equivalent to the first three Bach suites.

Translation

Literature-and Fairytale Compositions composed by Regine Brunke. For solo cello. Sound Research of Women Composers. Contemporary Music. C 232. 21st century. Medium. Score. Modern typesetting. 12 pages. Duration 20 minutes. Published by Furore Verlag. FV.FUE-10115. ISBN 979-0-50182-115-0. With modern typesetting. 21st century. Sonatine h-Moll op. Begegnung, Boser Zauber, Verwandlung, Erlosung Schattenszenen. 2001. Elegie I, Danza, Choral, Rhapsodie, Elegie II The compositions are very well suited for musical accompaniment at private viewings, readings, funeral services and church services, also suited to concert and competition repertoire. The compositions are very well suited for musical accompaniment at private viewings, readings, funeral services and church services, also suited to concert and competition repertoire. The pieces demand a high degree of musical expressiveness and confident solo ability on the part of the cellist. In terms of technical difficulty, they are more or less equivalent to the first three Bach suites.