Instruments
Ensembles
Opera
Composers
Performers

Sheet music $5.95

Original

Missa longa in C major. Wolfgang Amadeus Mozart. Voice sheet music. B-Flat Trumpet sheet music. Choir sheet music. Horn sheet music. Percussion sheet music. Piano and Keyboard sheet music. Timpani sheet music. Trombone sheet music.

Translation

Missa longa in C major. Wolfgang Amadeus Mozart. Voice sheet music. B-Flat Trumpet sheet music. Choir sheet music. Horn sheet music. Percussion sheet music. Piano and Keyboard sheet music. Timpani sheet music. Trombone sheet music.

Original

Missa longa in C major composed by Wolfgang Amadeus Mozart. 1756-1791. Edited by Christine Martin. Arranged by Volker Blumenthaler. For SATB vocal soli, SATB choir, 2 oboes, 2 horns, 2 clarinos. trumpets, timpani, 2 violins, basso continuo,. 3 trombones. C-Dur. C major. Stuttgart Urtext Edition. Score available separately - see item CA.5126200. Latin Masses, Missa brevis in Latin. Violin 2 part. Language. Latin. Composed 1775. KV 262. 16 pages. Duration 25 minutes. Published by Carus Verlag. CA.5126212. With Language. Latin. Latin Masses, Missa brevis in Latin. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a "Missa longa". The prolixity of some of the movements and of concluding fugues in the "Gloria" and "Credo" is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass.

Translation

Missa longa in C major composed by Wolfgang Amadeus Mozart. 1756-1791. Edited by Christine Martin. Arranged by Volker Blumenthaler. For SATB vocal soli, SATB choir, 2 oboes, 2 horns, 2 clarinos. trumpets, timpani, 2 violins, continuo,. 3 trombones. C-Dur. C major. Stuttgart Urtext Edition. Score available separately - see item CA.5126200. Latin Masses, Missa brevis in Latin. Violin 2 part. Language. Latin. Composed 1775. KV 262. 16 pages. Duration 25 minutes. Published by Carus Verlag. CA.5126212. With Language. Latin. Latin Masses, Missa brevis in Latin. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a "Missa longa". The prolixity of some of the movements and of concluding fugues in the "Gloria" and "Credo" is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass.