Sheet music $37.95

Original

Twelve fugues for the piano, 1800. Anton Reicha. Piano Solo sheet music.

Translation

Twelve fugues for the piano, 1800. Anton Reicha. Piano Solo sheet music.

Original

Twelve fugues for the piano, 1800 composed by Anton Reicha. 1770-1836. Edited by Joel Pontet. For Piano. This edition. Facsimile. Collection Dominantes. Score. 70 pages. Published by Anne Fuzeau Productions - France. FZ.5492. ISBN M540054922. 24.00 x 33.00 cm inches. This facsimile of an original by Anton Reicha is part of our Dominantes collection. Twelve fugues for the piano. Edition. Paris, Imbault,. undated 1800. Presentation by Joel Pontet. Anton Reicha. A composer and teacher - twelve fugues for the piano - some remarks about the twelve fugues of 1800 - corrections and suggestions. These twelve pieces are not just scholarly fugues but often very daring and innovatrice works of music. Preface and foreword by Reicha. The keys indicated are those of the fugue endings. They often begin in quite another key. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France. Training Centre for Music Teachers. He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris. France. Anne Fuzeau Classique propose period copies of classical music scores.

Translation

Twelve fugues for the piano, 1800 composed by Anton Reicha. 1770-1836. Edited by Joel Pontet. For Piano. This edition. Facsimile. Dominants Collection. Score. 70 pages. Published by Anne Fuzeau Productions - France. FZ.5492. ISBN M540054922. 24.00 x 33.00 cm inches. This facsimile of an original by Anton Reicha is part of our Dominantes collection. Twelve fugues for the piano. Edition. Paris, Imbault,. undated 1800. Presentation by Joel Pontet. Anton Reicha. A composer and teacher - twelve fugues for the piano - some remarks about the twelve fugues of 1800 - corrections and suggestions. These twelve pieces are not just scholarly fugues but often very daring and innovatrice works of music. Preface and foreword by Reicha. The keys indicated are those of the fugue endings. They often begin in quite another key. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France. Training Centre for Music Teachers. He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris. France. Anne Fuzeau Classique proposed period copies of classical music scores.