Sheet music $19.95

Original

Erntefeier. Heinrich von Herzogenberg. Voice sheet music. Choir sheet music. Organ Accompaniment sheet music.

Translation

Harvest celebration. Heinrich von Herzogenberg. Voice sheet music. Choir sheet music. Organ Accompaniment sheet music.

Original

Erntefeier composed by Heinrich von Herzogenberg. 1843-1900. For vocal soli, choir, orchestra, congregation, organ. Score available separately - see item CA.4019800. Oratorios, Special days. Double bass part. Language. German. Op. 104. 36 pages. Duration 150 minutes. Published by Carus Verlag. CA.4019815. With Language. German. Oratorios, Special days. The present publication finally closes the gap in the availability of the three church oratorios of Heinrich von Herzogenberg. 1843-1900. With this late work, which he considered his most important, Heinrich von Herzogenberg set the musical high point of the 15th Conference of the German Church Song Association in Strasbourg. 1899. , and also of his entire career. The celebration of the harvest provides an interesting look into the stylistic diversity of church music at the end of the 19th century, and shows the composer's aptitude for dramatic presentation in a special way.

Translation

Harvest celebration composed by Heinrich von Herzogenberg. 1843-1900. For vocal soli, choir, orchestra, congregation, organ. Score available separately - see item CA.4019800. Oratorios, Special days. Double bass part. Language. German. Op. 104. 36 pages. Duration 150 minutes. Published by Carus Verlag. CA.4019815. With Language. German. Oratorios, Special days. The present publication finally closes the gap in the availability of the three church oratorios of Heinrich von Herzogenberg. 1843-1900. With this late work, which he considered his most important, Heinrich von Herzogenberg set the musical high point of the 15th Conference of the German Church Song Association in Strasbourg. 1899. , and also of his entire career. The celebration of the harvest provides an interesting look into the stylistic diversity of church music at the end of the 19th century, and shows the composer's aptitude for dramatic presentation in a special way.