Sheet music $1.85

Original

The King of Love My Shepherd Is. Michael Burkhardt. Choir sheet music. Handbell sheet music. Percussion sheet music. Voice Solo sheet music. Organ Accompaniment sheet music. Beginning.

Translation

The King of Love My Shepherd Is. Michael Burkhardt. Choir sheet music. Handbell sheet music. Percussion sheet music. Voice Solo sheet music. Organ Accompaniment sheet music. Beginning.

Original

The King of Love My Shepherd Is composed by Michael Burkhardt. For SATB choir, vocal soloist, congregation, organ, handbells. Good Shepherd Sunday, Easter, Memorial, Lament. Grief. Sorrow, Trust. Guidance. Moderately Easy. Octavo. Scripture. Psalms 23. Published by MorningStar Music Publishers. MN.60-4006. With Scripture. Psalms 23. Good Shepherd Sunday, Easter, Memorial, Lament. Grief. Sorrow, Trust. Guidance. Burkhardt's new setting of ST. COLUMBA will become a favorite. The first stanza begins simply, with a soloist singing to a simple accompaniment. Unison treble voices sing stanza two while the third stanza breaks into four parts in a creative vocal accompaniment to the melody. The fourth stanza is a beautiful a cappella treatment. The fifth stanza is in canon with a simple handbell or keyboard accompaniment leading effectively into a sixth stanza treatment where everything is combined with congregation and descant. Handbells play from choral score. Handbells. 3-4 octaves. 15-17 bells.

Translation

The King of Love My Shepherd Is composed by Michael Burkhardt. For SATB choir, vocal soloist, congregation, organ, handbells. Good Shepherd Sunday, Easter, Memorial, Lament. Grief. Sorrow, Trust. Guidance. Moderately Easy. Eighth. Scripture. Psalms 23. Published by MorningStar Music Publishers. MN.60-4006. With Scripture. Psalms 23. Good Shepherd Sunday, Easter, Memorial, Lament. Grief. Sorrow, Trust. Guidance. Burkhardt's new setting of ST. COLUMBA will become a favorite. The first stanza begins simply, with a soloist singing to a simple accompaniment. Unison treble voices sing stanza two while the third stanza breaks into four parts in a creative vocal accompaniment to the melody. The fourth stanza is a beautiful a cappella treatment. The fifth stanza is in canon with a simple handbell or keyboard accompaniment leading effectively into a sixth stanza treatment where everything is combined with congregation and descant. Handbells play from choral score. Handbells. 3-4 octaves. 15-17 bells.