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Sheet music $20.00

Original

Chamber Symphony No. 3 for Clarinet. Daniel McCarthy. B-Flat Clarinet sheet music. B-Flat Trumpet sheet music. Bass Clarinet sheet music. Bassoon sheet music. Horn sheet music. Oboe sheet music. Percussion sheet music. Piano sheet music. Timpani sheet music. Trombone sheet music. Tuba sheet music. Violin sheet music. Advanced.

Translation

Chamber Symphony No. 3 for Clarinet. Daniel McCarthy. B-Flat Clarinet sheet music. B-Flat Trumpet sheet music. Bass Clarinet sheet music. Bassoon sheet music. Horn sheet music. Oboe sheet music. Percussion sheet music. Piano sheet music. Timpani sheet music. Trombone sheet music. Tuba sheet music. Violin sheet music. Advanced.

Original

Chamber Symphony No. 3 for Clarinet. Clarinet Feature. Composed by Daniel McCarthy. Solo Bb Clarinet & Chamber Ensemble. For Solo Bb Clarinet & Chamber Ensemble. Solo Bb Clarinet, Flute, Oboe, Bb Clarinet, Bass Clarinet, Bassoon, F Horn, Bb Trumpet, Trombone, Tuba, Percussion 1-2. crotales, suspended cymbal, low tom, timbales, bongos, temple blocks, finger cymbals, maracas, timpani, shaker. , Piano, Violin I, Violi. Medium difficult. Score only. Published by C. Alan Publications. CN.08601. The title "Chamber Symphony" indicates that "the wind ensemble is more intimately involved. musically speaking. with the soloist than a accompaniment as in a concerto. In this regard, the single winds and bassoon are treated integrally although the clarinet is the featured instrument. Chamber Symphony No. 3 was written for the Cleveland Chamber Symphony and clarinetist Kristina Belisle. This is the third work by McCarthy titled "Chamber Symphony" written for a soloist and chamber group. The term is used instead of "concerto" due to a more virtuosic approach to the ensemble writing so that ensemble and soloist are intimately involved. Chamber Symphony No. 1 for Marimba and Winds and Chamber Symphony No. 2for Bassoon and Winds are recorded on Klavier Records by the North Texas Wind Symphony conducted by Eugene Corporon. The six movements were written during a dark period of the composer's life involving several family deaths and deep personal struggle. The second movement, Holy Ghost, is a remembrance of McCarthy's mother, a strong woman of faith who died in the summer of 2002. A Voice in the Dark depicts the reality of living with the specter of those who have passed. TanzMusik, a lively dance movement, is perhaps a bit sarcastic. It is about trying to dance the lively dance in the midst of profound doubt and struggle.

Translation

Chamber Symphony No. 3 for Clarinet. Clarinet Feature. Composed by Daniel McCarthy. Solo Bb Clarinet. For Solo Bb Clarinet. Solo Bb Clarinet, Flute, Oboe, Bb Clarinet, Bass Clarinet, Bassoon, F Horn, Bb Trumpet, Trombone, Tuba, Percussion 1-2. crotales, suspended cymbal, low tom, timbales, bongos, temple blocks, finger cymbals, maracas, timpani, shaker. Piano, Violin I, Violi. Medium difficult. Score only. Published by C. Alan Publications. CN.08601. The title "Chamber Symphony" indicates that "the wind ensemble is more intimately involved. musically speaking. with the soloist than a accompaniment as in a concerto. In this regard, the single winds and bassoon are treated integrally although the clarinet is the featured instrument. Chamber Symphony No. 3 was written for the Cleveland Chamber Symphony and clarinetist Kristina Belisle. This is the third work by McCarthy titled "Chamber Symphony" written for a soloist and chamber group. The term is used instead of "concerto" due to a more virtuosic approach to the ensemble writing so that ensemble and soloist are intimately involved. Chamber Symphony No. 1 for Marimba and Winds and Chamber Symphony No. 2for Bassoon and Winds are recorded on Klavier Records by the North Texas Wind Symphony conducted by Eugene Corporon. The six movements were written during a dark period of the composer's life involving several family deaths and deep personal struggle. The second movement, Holy Ghost, is a remembrance of McCarthy's mother, a strong woman of faith who died in the summer of 2002. A Voice in the Dark depicts the reality of living with the specter of those who have passed. TanzMusik, a lively dance movement, is perhaps a bit sarcastic. It is about trying to dance the lively dance in the midst of profound doubt and struggle.