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Sheet music $50.00

Original

Symphony for Winds & Percussion. Luigi Zaninelli. B-Flat Trumpet sheet music. Clarinet Solo sheet music. English Horn sheet music. Percussion sheet music. Grade 5.

Translation

Symphony for Winds . Luigi Zaninelli. B-Flat Trumpet sheet music. Clarinet Solo sheet music. English Horn sheet music. Percussion sheet music. Grade 5.

Original

Symphony for Winds & Percussion composed by Luigi Zaninelli. For concert band. Piccolo, Flute 1. 2, Oboe 1. 2, English Horn, Solo Clarinet in Bb 1. 2, Clarinet in Bb 1, Clarinet in Bb 2. 3, Bass Clarinet in Bb, Contralto Clarinet in Eb, Alto Saxophone in Eb 1, Alto Saxophone in Eb 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1,. Band Music. Grade 5. Score only. Duration 14. 10. Published by C. Alan Publications. CN.10421. The language of this work is pure Zaninelli - restless, tender, mysterious, muscular, gentle, and at all times captivating. The first movement of Zaninelli's Symphony is remarkable for its conciseness and brevity. In a very short "space in time" he creates a true Sonata-Allegro movement. The language is pure Zaninelli - restless, tender, mysterious, muscular, gentle, and at all times captivating. The second movement is a theme and variations. It begins with a theme presented by the solo flute. Three variations ensue - a sexy tango, a sensuous blues, and a rousing barn dance. There is a genuine purity to Zaninelli's feel for these diverse dance forms. One senses that he has an intimate knowledge of these idioms.

Translation

Symphony for Winds. For concert band. Piccolo, Flute 1. 2, Oboe 1. 2, English Horn, Solo Clarinet in Bb 1. 2, Clarinet in Bb 1, Clarinet in Bb 2. 3, Bass Clarinet in Bb, Contralto Clarinet in Eb, Alto Saxophone in Eb 1, Alto Saxophone in Eb 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1,. Band Music. Grade 5. Score only. Duration 14. 10. Published by C. Alan Publications. CN.10421. The language of this work is pure Zaninelli - restless, tender, mysterious, muscular, gentle, and at all times captivating. The first movement of Zaninelli's Symphony is remarkable for its conciseness and brevity. In a very short "space in time" he creates a true Sonata-Allegro movement. The language is pure Zaninelli - restless, tender, mysterious, muscular, gentle, and at all times captivating. The second movement is a theme and variations. It begins with a theme presented by the solo flute. Three variations ensue - a sexy tango, a sensuous blues, and a rousing barn dance. There is a genuine purity to Zaninelli's feel for these diverse dance forms. One senses that he has an intimate knowledge of these idioms.