Sheet music $18.95

Original

Gloria in G major. Johann Christian Bach. Voice sheet music. Choir sheet music. Horn sheet music. Piano and Keyboard sheet music.

Translation

Gloria in G major. Johann Christian Bach. Voice sheet music. Choir sheet music. Horn sheet music. Piano and Keyboard sheet music.

Original

Gloria in G major composed by Johann Christian Bach. 1735-1782. Edited by Traugott Fedtke. Arranged by Traugott Fedtke. For SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 1 bassoon, 2 horns, 3 violins, 2 violas, cello, basso continuo. Stuttgart Urtext Edition. Score available separately - see item CA.3810900. Mass Sections. Cello. double bass part. Language. Latin. CW E 4. 28 pages. Duration 55 minutes. Published by Carus Verlag. CA.3810916. ISBN M-007-05436-6. With Language. Latin. Mass Sections. While the solos in earlier masses form an integral part of the structure of the entire work, Christian Bach made the solo sections independent in the sense of the Neopolitan school. The orchestra is occupied with longer preludes and rustling figures. In the eleven movements, Bach was able to unite the compositional techniques and expressivity of the Baroque with the beautiful sound of an Italian cantilena. From the forward by Traugott Fedtke.

Translation

Gloria in G major composed by Johann Christian Bach. 1735-1782. Edited by Traugott Fedtke. Arranged by Traugott Fedtke. For SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 1 bassoon, 2 horns, 3 violins, 2 violas, cello, basso continuo. Stuttgart Urtext Edition. Score available separately - see item CA.3810900. Mass Sections. Cello. double bass part. Language. Latin. CW E 4. 28 pages. Duration 55 minutes. Published by Carus Verlag. CA.3810916. ISBN M-007-05436-6. With Language. Latin. Mass Sections. While the solos in earlier masses form an integral part of the structure of the entire work, Christian Bach made the solo sections independent in the sense of the Neopolitan school. The orchestra is occupied with longer preludes and rustling figures. In the eleven movements, Bach was able to unite the compositional techniques and expressivity of the Baroque with the beautiful sound of an Italian cantilena. From the forward by Traugott Fedtke.