Sheet music $39.95

Original

Missa Dalmatica. Franz von Suppe. Voice sheet music. Choir sheet music. Organ Accompaniment sheet music.

Translation

Missa Dalmatica. Franz von Suppe. Voice sheet music. Choir sheet music. Organ Accompaniment sheet music.

Original

Missa Dalmatica composed by Franz von Suppe. 1819-1895. Edited by Rainer Boss. For TTB vocal soli, TTB choir, organ. This edition. Paperbound. F-Dur. F major. German title. Missa Dalmatica. Latin Masses. Full score. Language. Latin. Composed 1879. 80 pages. Duration 45 minutes. Published by Carus Verlag. CA.4083200. ISBN M-007-01778-1. With Language. Latin. Latin Masses. In addition to the Requiem, the Missa Dalmatica, which was first composed in 1835 and revised in 1876, offers further proof of the remarkable sacred music composed by the famous composer of operettas, Franz von Suppe. He dedicated the Mass to his Dalmatian homeland. In this Mass for three-voiced men's choir and organ, which in his unmistakable personal style combined the most varied influences of the tradition of church music, Italian and German opera, as well as the folk idioms of Vienna and Dalmatia, Suppe created an attractive and unique work which has earned a special place in the history of 19th century church music.

Translation

Missa Dalmatica composed by Franz von Suppe. 1819-1895. Edited by Rainer Boss. For TTB vocal soli, TTB choir, organ. This edition. Paperbound. F-Dur. F major. German title. Missa Dalmatica. Latin Masses. Full score. Language. Latin. Composed 1879. 80 pages. Duration 45 minutes. Published by Carus Verlag. CA.4083200. ISBN M-007-01778-1. With Language. Latin. Latin Masses. In addition to the Requiem, the Missa Dalmatica, which was first composed in 1835 and revised in 1876, offers further proof of the remarkable sacred music composed by the famous composer of operettas, Franz von Suppe. He dedicated the Mass to his Dalmatian homeland. In this Mass for three-voiced men's choir and organ, which in his unmistakable personal style combined the most varied influences of the tradition of church music, Italian and German opera, as well as the folk idioms of Vienna and Dalmatia, Suppe created an attractive and unique work which has earned a special place in the history of 19th century church music.