Sheet music $11.95

Original

Missa pro defunctis. Franz von Suppe. Voice sheet music. B-Flat Trumpet sheet music. Choir sheet music. Double Bass sheet music. Horn sheet music. Percussion sheet music. Timpani sheet music. Trombone sheet music.

Translation

Missa pro defunctis. Franz von Suppe. Voice sheet music. B-Flat Trumpet sheet music. Choir sheet music. Double Bass sheet music. Horn sheet music. Percussion sheet music. Timpani sheet music. Trombone sheet music.

Original

Missa pro defunctis. Requiem. Composed by Franz von Suppe. 1819-1895. For SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, tamtam, 2 violins, viola, cello, contrabass. Score available separately - see item CA.4008500. Requiem. Viola part. Language. Latin. Composed 1855. 20 pages. Duration 70 minutes. Published by Carus Verlag. CA.4008513. With Language. Latin. Requiem. Franz Suppe wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppe succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto unrecognized- achievement of this work.

Translation

Missa pro defunctis. Requiem. Composed by Franz von Suppe. 1819-1895. For SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, tamtam, 2 violins, viola, cello, contrabass. Score available separately - see item CA.4008500. Requiem. Viola part. Language. Latin. Composed 1855. 20 pages. Duration 70 minutes. Published by Carus Verlag. CA.4008513. With Language. Latin. Requiem. Franz Suppe wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppe succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto unrecognized- achievement of this work.