Sheet music $17.95

Original

Concepts for the Classical and Jazz Guitar. Acoustic Guitar sheet music. Classical Guitar sheet music. Electric Guitar sheet music. Fingerpicking Guitar sheet music. Advanced.

Translation

Concepts for the Classical and Jazz Guitar. Acoustic Guitar sheet music. Classical Guitar sheet music. Electric Guitar sheet music. Fingerpicking Guitar sheet music. Advanced.

Original

Concepts for the Classical and Jazz Guitar composed by Jimmy Wyble & Ron Berman. For Guitar. Classical & Fingerpicking. Saddle-stitched, Transcribed Solos. Contemporary. Intermediate-Advanced. Book. CD Set. 32 pages. Published by Mel Bay Publications, Inc. MB.97208BCD. ISBN 9780786643998. Contemporary. 8.75 x 11.75 inches. Presents twenty, four-bar exercises written by Jimmy Wyble followed by exhaustive harmonic, rhythmic, and scale permutation of the four-bar exercises by Ron Berman. Accompanying CD contains recordings of exercise permutations. This text gives insight to the vast melodic and harmonic possibilities available to composers and arrangers of guitar music. Examples should be used as ideas for improvisations, compositions, or springboards for new original material. Any musical idea, as shown in this book, may be permutated to create almost limitless original ideas. Exercises are presented in standard notation only.

Translation

Concepts for the Classical and Jazz Guitar composed by Jimmy Wyble & Ron Berman. For Guitar. Classical . Saddle-stitched, Transcribed Solos. Contemporary. Intermediate-Advanced. Book. CD Set. 32 pages. Published by Mel Bay Publications, Inc. MB.97208BCD. ISBN 9780786643998. Contemporary. 8.75 x 11.75 inches. Presents twenty, four-bar exercises written by Jimmy Wyble followed by exhaustive harmonic, rhythmic, and scale permutation of the four-bar exercises by Ron Berman. Accompanying CD contains recordings of exercise permutations. This text gives insight to the vast melodic and harmonic possibilities available to composers and arrangers of guitar music. Examples should be used as ideas for improvisations, compositions, or springboards for new original material. Any musical idea, as shown in this book, may be permutated to create almost limitless original ideas. Exercises are presented in standard notation only.