Sheet music $6.95

Original

Lobgesang, Meine Seele ist stille, Cantata. Fanny Cecile Mendelssohn. Choir sheet music. Piano Accompaniment sheet music. Organ Accompaniment sheet music. Intermediate.

Translation

Lobgesang, Meine Seele ist stille, Cantata. Fanny Cecile Mendelssohn. Choir sheet music. Piano Accompaniment sheet music. Organ Accompaniment sheet music. Intermediate.

Original

Lobgesang, Meine Seele ist stille, Cantata composed by Fanny Cecile Mendelssohn. 1805-1847. Edited by Conrad Misch. For soprano, alto, mixed choir and orchestra. Soli, Choir and Instruments. Piano, Organ, Orchestra. First edition. Choral. Intermediate. Choral score. Composed 1831. Duration 20'. Published by Furore Verlag. FV.FUE-5251. ISBN M-50012-351-4. Choral. Scoring. 2.2.2.2. 2.2.0.0, strings. This cantata, the text of which is related to birth, was composed a year after the birth of Fanny Hensel's son Sebastian. The form. Pastorale, Chorus, Rez., Arie, Chorus. is based on the structure of Bach's cantatas, the main difference being the lengthy choral fugue with which the work closes. The "heart" of the composition can be seen in the soprano aria "O da. ich tausend Zungen hatte. " In this aria the translation of the example set by Bach into Romantic compositional style is especially clear.

Translation

Hymn of Praise, My soul is silent, Cantata composed by Fanny Mendelssohn Cecile. 1805-1847. Edited by Conrad Misch. For soprano, alto, mixed choir and orchestra. Soli, Choir and Instruments. Piano, Organ, Orchestra. First edition. Choral. Intermediate. Choral score. Composed 1831. Duration 20'. Published by Furore Verlag. FV.FUE-5251. ISBN M-50012-351-4. Choral. Scoring. 2.2.2.2. 2.2.0.0, strings. This cantata, the text of which is related to birth, was composed a year after the birth of Fanny Hensel's son Sebastian. The form. Pastorale, Chorus, Rez., Arie, Chorus. is based on the structure of Bach's cantatas, the main difference being the lengthy choral fugue with which the work closes. The "heart" of the composition can be seen in the soprano aria "O da. I had a thousand tongues. " In this aria the translation of the example set by Bach into Romantic compositional style is especially clear.