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Sheet music $25.95

Original

Piano, Vol. Ii. Piano Solo sheet music.

Translation

Piano, Vol Ii. Piano Solo sheet music.

Original

Piano, Vol. Ii composed by Joaquim Malats. For piano. Published by Editorial de Musica Boileau. BO.B.3712. Malats' piano works are the most representative of his compositions for the obvious reason that the piano was his instrument. As an interpreter educated in the most thorough Romantic tradition, Malats represented the archetypical complete musician of the 19th Century. pianist, composer, interpreter of his own works, and teacher. The Suite Impresiones de Espana. Impressions of Spain. is not a suite. In reality it is a collection of four pieces for piano. Danza. Dance. , Serenata Espanola. Spanish Serenade, his most famous work. , Canto de Amor. Love Song, of which there is also a version for violin and piano. and Serenata Andaluza. Andalusian Serenade. The Suite para piano solo. Suite for Piano Solo. , is an unpublished work. Originally the suite contained four movements. Prelude, Berceuse, Lied and Serenade. The final movement has been lost. The suite is dedicated to the great composer and pianist from Lleida, Enrique Granados, close friend and colleague of Malats in Barcelona and Paris. An example of the way Malats combined his creative and interpretive activities are his two cadenzas written for the first and third movements of the Concerto for piano and orchestra, No. 15 in B Flat Major, K.V. 450 by W. A. Mozart. The cadenzas were composed in 1896 and 1897 in Madrid and Paris. Malats performed this concerto throughout his career. The preservation and first publication of two cadenzas for a Mozart Concerto -written by the most brilliant Spanish pianist of the 19th Century- is without precedent in Spanish musical history. This type of composition is hardly known in Spain much less preserved.

Translation

Piano, Vol. Ii composed by Joaquim Malats. For piano. Published by Editorial de Musica Boileau. BO.B.3712. Malats' piano works are the most representative of his compositions for the obvious reason that the piano was his instrument. As an interpreter educated in the most thorough Romantic tradition, Malats represented the archetypical complete musician of the 19th Century. pianist, composer, interpreter of his own works, and teacher. The Suite Impressions of Spain. Impressions of Spain. is not a suite. In reality it is a collection of four pieces for piano. Dance. Dance. , Serenata Espanola. Spanish Serenade, his most famous work. , Song of Love. Love Song, of which there is also a version for violin and piano. and Serenata Andaluza. Andalusian Serenade. The Suite para piano solo. Suite for Piano Solo. , is an unpublished work. Originally the suite contained four movements. Prelude, Berceuse, Lied and Serenade. The final movement has been lost. The suite is dedicated to the great composer and pianist from Lleida, Enrique Granados, close friend and colleague of Malats in Barcelona and Paris. An example of the way Malats combined his creative and interpretive activities are his two cadenzas written for the first and third movements of the Concerto for piano and orchestra, No. 15 in B Flat Major, K.V. 450 by W. A. Mozart. The cadenzas were composed in 1896 and 1897 in Madrid and Paris. Malats performed this concerto throughout his career. The preservation and first publication of two cadenzas for a Mozart Concerto -written by the most brilliant Spanish pianist of the 19th Century- is without precedent in Spanish musical history. This type of composition is hardly known in Spain much less preserved.