Sheet music $44.95
Original
asidled. 1993. Alto Saxophone sheet music. Double Bass sheet music. Trombone sheet music. Tuba sheet music. Viola sheet music. Violin sheet music.Translation
asidled. 1993. Alto Saxophone sheet music. Double Bass sheet music. Trombone sheet music. Tuba sheet music. Viola sheet music. Violin sheet music.Original
asidled. 1993. composed by Andrew Digby. For alto saxophone, 2 trombones, tuba, violin, viola, 2 contrabass. This edition. Paperbound. Score available separately - see item CA.1630800. Set of parts. Language. all languages. Composed 1993. 96 pages. Duration 7 minutes. Published by Carus Verlag. CA.1630809. With Language. all languages. the same material is repeated in constantly varying configurations. no two bars have simultaneously the same number of instruments, direction of and number of discontinuities in the glissandi, number of crossings through the octave or unison between instruments. this last is the most important characteristic of the piece. many such crossing points are also punctuated by other instruments but with only, at best, approximate precision. simultaneity, pitch, dynamic, timbre and articulation are alle deviant to varying degrees. asidled. the context itself is fluctuating, only indirectly objective, everything relative. Andrew Digby.Translation
asidled. 1993. composed by Andrew Digby. For alto saxophone, 2 trombones, tuba, violin, viola, 2 contrabass. This edition. Paperbound. Score available separately - see item CA.1630800. Set of parts. Language. all languages. Composed 1993. 96 pages. Duration 7 minutes. Published by Carus Verlag. CA.1630809. With Language. all languages. the same material is repeated in constantly varying configurations. no two bars have simultaneously the same number of instruments, direction of and number of discontinuities in the glissandi, number of crossings through the octave or unison between instruments. this last is the most important characteristic of the piece. many such crossing points are also punctuated by other instruments but with only, at best, approximate precision. simultaneity, pitch, dynamic, timbre and articulation are alle deviant to varying degrees. asidled. the context itself is fluctuating, only indirectly objective, everything relative. Andrew Digby.Popular requests