Sheet music $20.00

Original

A Festive Violet Pulse. Nancy Galbraith. B-Flat Trumpet sheet music. Harp sheet music. Percussion sheet music. Piano sheet music. Timpani sheet music. Trombone sheet music. Tuba sheet music.

Translation

A Festive Violet Pulse. Nancy Galbraith. B-Flat Trumpet sheet music. Harp sheet music. Percussion sheet music. Piano sheet music. Timpani sheet music. Trombone sheet music. Tuba sheet music.

Original

A Festive Violet Pulse composed by Nancy Galbraith. 1951-. For Orchestra. 3 flutes. piccolo. , 2 oboes, 2 clarinets, 2 bassoons. 4horn, 3 trumpets, 2 trombones. bass. , tuba. timpani, 4 percussion, harp, piano. strings. Study Score. Composed 1997. Duration 3'. Published by Subito Music Corporation. SU.90810040. Composer's Note. A Festive Violet Pulse opens with lively textures in the woodwinds which are used as accompaniment for a melodic statement in the violins. This melody is answered contrapuntally by the celli, and develops into a web of repeated melodic phrases. The middle section is very rhythmic, highlighting the percussion section and making use of many polyrhtyhms. A soft tremolo begins to emerge in the strings and gradually evolves into the foreground material. A repeated note theme enters in the celli and is answered sequentially by each string section. A strong statement of the original theme in the trumpets and violins climaxes the movement. -N.G.

Translation

A Festive Violet Pulse composed by Nancy Galbraith. 1951-. For Orchestra. 3 flutes. small. , 2 oboes, 2 clarinets, 2 bassoons. 4horn, 3 trumpets, 2 trombones. bass. , tuba. timpani, 4 percussion, harp, piano. strings. Study Score. Composed 1997. Duration 3'. Published by Subito Music Corporation. SU.90810040. Composer's Note. A Festive Violet Pulse opens with lively textures in the woodwinds which are used as accompaniment for a melodic statement in the violins. This melody is answered contrapuntally by the celli, and develops into a web of repeated melodic phrases. The middle section is very rhythmic, highlighting the percussion section and making use of many polyrhtyhms. A soft tremolo begins to emerge in the strings and gradually evolves into the foreground material. A repeated note theme enters in the celli and is answered sequentially by each string section. A strong statement of the original theme in the trumpets and violins climaxes the movement. -N.G.