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Original

Scande coeli limina. Wolfgang Amadeus Mozart. B-Flat Trumpet sheet music. Choir sheet music. Percussion sheet music. Piano and Keyboard sheet music. Soprano Voice sheet music. Timpani sheet music.

Translation

Scande coeli limina. Wolfgang Amadeus Mozart. B-Flat Trumpet sheet music. Choir sheet music. Percussion sheet music. Piano and Keyboard sheet music. Soprano Voice sheet music. Timpani sheet music.

Original

Scande coeli limina. Offertorium in festo Sti Benedicti. Composed by Wolfgang Amadeus Mozart. 1756-1791. Arranged by Eberhard Kraus. For soprano voice solo, SATB choir, 2 clarinos. trumpets, timpani, 2 violins, basso continuo. C-Dur. C major. Stuttgart Urtext Edition. Score available separately - see item CA.4004200. Cantatas, Special days. Level 3. Cello. double bass part. Language. Latin. Composed circa 1766. 76. KV 34. 2 pages. Duration 4 minutes. Published by Carus Verlag. CA.4004213. ISBN M-007-05841-8. With Language. Latin. Cantatas, Special days. Since the autograph of the offertory "Scande coeli limina" KV 34 has not survived, the discovery of the oldest existing copy of the parts in 1998 in the archives of the Holy Chapel in Altotting were a significant contribution to the preservation of this work. Robert Munster discovered the parts, the new source upon which the present critical edition is based.

Translation

Scande coeli limina. Offertorium in festo Sti Benedicti. Composed by Wolfgang Amadeus Mozart. 1756-1791. Arranged by Eberhard Kraus. For soprano voice solo, SATB choir, 2 clarinos. trumpets, timpani, 2 violins, basso continuo. C-Dur. C major. Stuttgart Urtext Edition. Score available separately - see item CA.4004200. Cantatas, Special days. Level 3. Cello. double bass part. Language. Latin. Composed circa 1766. 76. KV 34. 2 pages. Duration 4 minutes. Published by Carus Verlag. CA.4004213. ISBN M-007-05841-8. With Language. Latin. Cantatas, Special days. Since the autograph of the offertory "Scande coeli limina" KV 34 has not survived, the discovery of the oldest existing copy of the parts in 1998 in the archives of the Holy Chapel in Altotting were a significant contribution to the preservation of this work. Robert Munster discovered the parts, the new source upon which the present critical edition is based.