Sheet music $140.00

Original

Transitions. Josh Gottry. B-Flat Trumpet sheet music. Horn sheet music. Marimba sheet music. Percussion sheet music. Trombone sheet music. Vibraphone sheet music. Grade 5.

Translation

Transitions. Josh Gottry. B-Flat Trumpet sheet music. Horn sheet music. Marimba sheet music. Percussion sheet music. Trombone sheet music. Vibraphone sheet music. Grade 5.

Original

Transitions. Solo Percussion Feature. Composed by Josh Gottry. Arranged by Barry Kopetz. For Soloist. with Concert Band. Solo Percussion. vibraphone, 4.3 octave marimba, snare drum, bongos, 4 concert toms. , Flute 1-2, Oboe 1-2, Bb Clarinet 1-3, Bass Clarinet, Bassoon 1-2, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, F Horn 1-4, Bb Trumpet 1-3, Trombone 1-2, Bass. Grade 5. Score and parts. Duration 13. 00. Published by C. Alan Publications. CN.17070. This concerto is truly an exciting and challenging work for the soloist including virtuosic material on both pitched and non-pitched percussion instruments. This work will captivate any audience with its musical contrasts and fascinate them with the visually stimulating choreography in the soloist's performance. The concept behind Transitions is that of a single day and the gradual shifts and changes within it. There are three distinct but related segments reflected in the piece. 'Dawn, Day, and Dusk-. these form uninterrupted movements in a slow-fast-slow format. Within the faster middle movement is a percussion cadenza. The melodic and harmonic content of Transitions is based almost entirely on the B half-whole octatonic scale. The opening pitches in the solo vibraphone form the primary motive of the work and bring continuity to the piece as a whole. After the first statement, this motive is immediately restated in the ensemble's percussion section, later used as punctuation tones in the cadenza, and finally restated in retrograde in the final measures of the work, again in the solo vibraphone, as an indication of the inevitable connection to the start of a new day. This concerto is truly an exciting and challenging work for the soloist including virtuosic material on both pitched and non-pitched percussion instruments. This work will captivate any audience with its musical contrasts and fascinate them with the visually stimulating choreography in the soloist's performance.

Translation

Transitions. Solo Percussion Feature. Composed by Josh Gottry. Arranged by Barry Kopetz. For Soloist. with Concert Band. Only Percussion. vibraphone, 4.3 octave marimba, snare drum, bongos, 4 concert toms. , Flute 1-2, Oboe 1-2, Bb Clarinet 1-3, Bass Clarinet, Bassoon 1-2, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, F Horn 1-4, Bb Trumpet 1-3, Trombone 1-2, Bass. Grade 5. Score and parts. Duration 13. 00. Published by C. Alan Publications. CN.17070. This concerto is truly an exciting and challenging work for the soloist including virtuosic material on both pitched and non-pitched percussion instruments. This work will captivate any audience with its musical contrasts and fascinate them with the visually stimulating choreography in the soloist's performance. The concept behind Transitions is that of a single day and the gradual shifts and changes within it. There are three distinct but related segments reflected in the piece. 'Dawn, Day, and Dusk-. these form uninterrupted movements in a slow-fast-slow format. Within the faster middle movement is a percussion cadenza. The melodic and harmonic content of Transitions is based almost entirely on the B half-whole octatonic scale. The opening pitches in the solo vibraphone form the primary motive of the work and bring continuity to the piece as a whole. After the first statement, this motive is immediately restated in the ensemble's percussion section, later used as punctuation tones in the cadenza, and finally restated in retrograde in the final measures of the work, again in the solo vibraphone, as an indication of the inevitable connection to the start of a new day. This concerto is truly an exciting and challenging work for the soloist including virtuosic material on both pitched and non-pitched percussion instruments. This work will captivate any audience with its musical contrasts and fascinate them with the visually stimulating choreography in the soloist's performance.