Sheet music $2.25

Original

Two Dickinson Settings. choral score. David J. Long. Choir sheet music. Harp sheet music. Marimba sheet music. Vibraphone sheet music. Piano Accompaniment sheet music.

Translation

Two Dickinson Settings. choral score. David J. Long. Choir sheet music. Harp sheet music. Marimba sheet music. Vibraphone sheet music. Piano Accompaniment sheet music.

Original

Two Dickinson Settings. choral score. composed by David J. Long. For SSAA Treble Choir. SSAA treble choir piano, marimba. vibraphone harp. or orchestra bells. Choral score. Published by C. Alan Publications. CN.08542. Two Dickinson Settings features two poems by Emily Dickinson. Heart. We will forget him. and Will there really be morning. The melodious vocal parts have a shimmering backdrop of struck or plucked instruments with piano, marimba, vibraphone, and harp. Two Dickinson Settings features two poems by Emily Dickinson. Heart. We will forget him. and Will there really be morning. The melodious vocal parts have a shimmering backdrop of struck or plucked intruments with piano, marimba, vibraphone, and harp. An optional bell part is included for those who do not have access to a harp player. Written for the Mary Washington College Chorus, Spring 2001, Dr. Jane Tavernier, director.

Translation

Two Dickinson Settings. choral score. composed by David J. Long. For SSAA Treble Choir. SSAA treble choir piano, marimba. vibraphone harp. or orchestra bells. Choral score. Published by C. Alan Publications. CN.08542. Two Dickinson Settings features two poems by Emily Dickinson. Heart. We will forget him. and Will there really be morning. The melodious vocal parts have a shimmering backdrop of struck or plucked instruments with piano, marimba, vibraphone, and harp. Two Dickinson Settings features two poems by Emily Dickinson. Heart. We will forget him. and Will there really be morning. The melodious vocal parts have a shimmering backdrop of struck or plucked intruments with piano, marimba, vibraphone, and harp. An optional bell part is included for those who do not have access to a harp player. Written for the Mary Washington College Chorus, Spring 2001, Dr. Jane Tavernier, director.