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Sheet music $7.95

Original

Psalm 125. Jean-Philippe Rameau. Voice sheet music. Choir sheet music. Double Bass sheet music. Piano and Keyboard sheet music.

Translation

Psalm 125. Jean-Philippe Rameau. Voice sheet music. Choir sheet music. Double Bass sheet music. Piano and Keyboard sheet music.

Original

Psalm 125 composed by Jean-Philippe Rameau. 1683-1764. Edited by Jean-Paul C. Montagnier. For ST. BarB vocal soli, SST. TBarB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello. contra bass, bassoon, basso continuo. French Sacred Music. Language. Latin. 12 pages. Duration 26 minutes. Published by Carus Verlag. CA.2100811. With Language. Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Being performed in a "concert spirituel" in 1751, In Convertendo was poorly received. this failure long continued to pursue Rameau. Yet these masterworks are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751.

Translation

Psalm 125 composed by Jean-Philippe Rameau. 1683-1764. Edited by Jean-Paul C. Montagnier. For ST. Barb vocal alone, SST. TBarB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello. contra bass, bassoon, continuo. French Sacred Music. Language. Latin. 12 pages. Duration 26 minutes. Published by Carus Verlag. CA.2100811. With Language. Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Being performed in a concert spirituel in 1751, In Convertendo was poorly received. this failure long continued to pursue Rameau. Yet these masterworks are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751.