Sheet music $23.95

Original

Missa C major K. 220. 196b. "Sparrow Mass". Arranged for female choir SMezAA. Wolfgang Amadeus Mozart. Choir sheet music.

Translation

Missa C major K. 220. 196b. "Sparrow Mass". Arranged for female choir SMezAA. Wolfgang Amadeus Mozart. Choir sheet music.

Original

Missa C major K. 220. 196b. "Sparrow Mass". Arranged for female choir SMezAA. composed by Wolfgang Amadeus Mozart. 1756-1791. Arranged by Heribert Breuer. For female choir. SMezAA. Stapled. Frauenchor. Level 3. Score. Language. Latin, Text Language. German. English. KV 220. 196b. Published by Baerenreiter Verlag. BA.BA5693. ISBN 9790006523382. With Language. Latin, Text Language. German. English. 31 x 24.3 cm inches. The vocal score is compatible with the performance material of the original work, BA 5343. Mozart's Missa in C major. K. 220. , nicknamed the Sparrow Mass for its frequently recurring characteristic motifs in the violins, has retained a firm place in the choral repertoire to the present day. Heribert Breuer has judiciously transferred the tenor and bass solos to the high voices and incorporated the original soprano and alto parts largely unchanged into the solo and chorus parts. He has thereby retained the work's original substance while giving it a wholly new and delightful sound.

Translation

Missa C major K. 220. 196b. "Sparrow Mass". Arranged for female choir SMezAA. composed by Wolfgang Amadeus Mozart. 1756-1791. Arranged by Heribert Breuer. For female choir. SMezAA. Stapled. Women's Choir. Level 3. Score. Language. Latin, Text Language. German. English. KV 220. 196b. Published by Baerenreiter Verlag. BA.BA5693. ISBN 9790006523382. With Language. Latin, Text Language. German. English. 31 x 24.3 cm inches. The vocal score is compatible with the performance material of the original work, BA 5343. Mozart's Missa in C major. K. 220. , nicknamed the Sparrow Mass for its frequently recurring characteristic motifs in the violins, has retained a firm place in the choral repertoire to the present day. Heribert Breuer has judiciously transferred the tenor and bass solos to the high voices and incorporated the original soprano and alto parts largely unchanged into the solo and chorus parts. He has thereby retained the work's original substance while giving it a wholly new and delightful sound.