Sheet music $65.00

Original

String Quartet No. 14 in G Major, KV. 387 Spring. Wolfgang Amadeus Mozart. Bassoon sheet music. Cello sheet music. Horn sheet music. Oboe sheet music. Viola sheet music. Violin sheet music.

Translation

String Quartet No. 14 in G Major, KV. 387 Spring. Wolfgang Amadeus Mozart. Bassoon sheet music. Cello sheet music. Horn sheet music. Oboe sheet music. Viola sheet music. Violin sheet music.

Original

String Quartet No. 14 in G Major, KV. 387 Spring. The New York Woodwind Quintet Library Series. Composed by Wolfgang Amadeus Mozart. 1756-1791. Edited by William Purvis. For Woodwind Quintet. Score & Parts. Southern Music. Southern Music Company #SU782. Published by Southern Music Company. HL.124646. The firstÂquestion is why transcribe a work such as Mozart's String Quartet KV 387, which is so perfectly rendered in the original, for another instrumental ensemble. ÂThe only answer for wind players is to have the opportunity to play and learnÂfrom this great work directly. MozartÂloved the wind instruments, but wrote for them rather differently than for theÂstrings. Of course, it is much easier for the strings to produce a seamless,Âblended sound. The winds, which all produce sound differently, will have toÂwork hard for this, particularly in the first and third movements of KV387. InÂthe second movement, with its strange sudden dynamic changes highlightingÂindividual voices, and in the fourth movement, with its brilliant contrapuntalÂwriting. a fourth movement of the Jupiter Symphony in miniature. , the winds can contribute more color and individuality.

Translation

String Quartet No. 14 in G Major, KV. 387 Spring. The New York Woodwind Quintet Library Series. Composed by Wolfgang Amadeus Mozart. 1756-1791. Edited by William Purvis. For Woodwind Quintet. Score . Southern Music. Южный Music Company. Published by Southern Music Company. HL.124646. The firstÂquestion is why transcribe a work such as Mozart's String Quartet KV 387, which is so perfectly rendered in the original, for another instrumental ensemble. ÂThe only answer for wind players is to have the opportunity to play and learnÂfrom this great work directly. MozartÂloved the wind instruments, but wrote for them rather differently than for theÂstrings. Of course, it is much easier for the strings to produce a seamless,Âblended sound. The winds, which all produce sound differently, will have toÂwork hard for this, particularly in the first and third movements of KV387. InÂthe second movement, with its strange sudden dynamic changes highlightingÂindividual voices, and in the fourth movement, with its brilliant contrapuntalÂwriting. a fourth movement of the Jupiter Symphony in miniature. , the winds can contribute more color and individuality.