Sheet music $45.95

Original

Second collection of pieces, short airs, brunettes. Michel Blavet. Flute Solo sheet music.

Translation

Second collection of pieces, short airs, brunettes. Michel Blavet. Flute Solo sheet music.

Original

Second collection of pieces, short airs, brunettes composed by Michel Blavet. 1700-1768. Edited by Jean Saint-Arroman. For 2 solo flutes. This edition. Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. 96 pages. Published by Anne Fuzeau Productions - France. FZ.5972. ISBN M230659727. 23.50 x 31.50 cm inches. This facsimile of an original by Michel Blavet is part of our French classical music collection. Edition. Paris, l'Auteur, Bayard, Leclerc, 1744. These three collections of pieces for two unaccompanied flutes provide an overview of mid-eighteenth century French music, with the addition of some foreign airs. The pieces are of varying difficulty. The phrasing is indicated with precision and the ornamentation - dealt with in the introduction - is typical of the French classical style. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France. Training Centre for Music Teachers. He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris. France. Anne Fuzeau Classique propose period copies of classical music scores.

Translation

Second collection of pieces, short airs, brunettes composed by Michel Blavet. 1700-1768. Edited by Jean Saint-Arroman. For 2 solo flutes. This edition. Facsimile. Classic French Music from 1650 to 1800. Score. 96 pages. Published by Anne Fuzeau Productions - France. FZ.5972. ISBN M230659727. 23.50 x 31.50 cm inches. This facsimile of an original by Michel Blavet is part of our French classical music collection. Edition. Paris, Author, Bayard, Leclerc, 1744. These three collections of pieces for two unaccompanied flutes provide an overview of mid-eighteenth century French music, with the addition of some foreign airs. The pieces are of varying difficulty. The phrasing is indicated with precision and the ornamentation - dealt with in the introduction - is typical of the French classical style. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France. Training Centre for Music Teachers. He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris. France. Anne Fuzeau Classique proposed period copies of classical music scores.