Sheet music $26.95

Original

Ave maris stella. Antonio Caldara. Voice sheet music. Piano and Keyboard sheet music.

Translation

Ave maris stella. Antonio Caldara. Voice sheet music. Piano and Keyboard sheet music.

Original

Ave maris stella. Marianischer Hymnus. Composed by Antonio Caldara. 1670-1736. Edited by Guido Erdmann. For SA voice soli, 2 violins, basso continuo. This edition. Paperbound. F-Dur. F major. German title. Ave maris stella. Bpack. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily Hours. Full score. Language. Latin. Composed before 1737. circa 1720. 8 pages. Duration 3 minutes. Published by Carus Verlag. CA.2770100. ISBN M-007-09710-3. With Language. Latin. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily Hours. The series "Vienna - Music of the imperial royal seat" has been initiated with Caldara's Ave maris stella for solo soprano and alto, two obbligato violins and basso continuo. The performance dates in the surviving source material show that the piece was performed on 1 February in 1752 and 1754 during the first solemn vespers for Candlemas, probably in the Great Hofburgkapella. The short pleasing piece is suitable in a concertante setting as well as for sacred services. especially on feasts to the Virgin Mary and during vespers. , but it is also appropriate for prayer services.

Translation

Ave maris stella. Marian hymn. Composed by Antonio Caldara. 1670-1736. Edited by Guido Erdmann. SA only for voice, two violins, continuo. This edition. Paperbound. F-Dur. F major. German title. Ave maris stella. Bpack. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily Hours. Full score. Language. Latin. Composed before 1737. circa 1720. 8 pages. Duration 3 minutes. Published by Carus Verlag. CA.2770100. ISBN M-007-09710-3. With Language. Latin. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily Hours. The series "Vienna - Music of the imperial royal seat" has been initiated with Caldara's Ave maris stella for solo soprano and alto, two obbligato violins and basso continuo. The performance dates in the surviving source material show that the piece was performed on 1 February in 1752 and 1754 during the first solemn vespers for Candlemas, probably in the Great Hofburgkapella. The short pleasing piece is suitable in a concertante setting as well as for sacred services. especially on feasts to the Virgin Mary and during vespers. , but it is also appropriate for prayer services.