Sheet music $41.95

Original

Doble Concert de la Porta Ferrada. Xavier Benguerel. Cello sheet music. Violin sheet music.

Translation

Doble Concert de la Porta Ferrada. Xavier Benguerel. Cello sheet music. Violin sheet music.

Original

Doble Concert de la Porta Ferrada composed by Xavier Benguerel. 1931-. For violin, cello and set of chamber instruments. Instrumental Sets. Duration 15. 00. Published by Editorial de Musica Boileau. BO.B.3338. English comments. I finished writing the Porta Ferrada Double Concerto at the beginning of 2004. I was commissioned to write it for the Porta Ferrada International Music Festival. in Sant Feliu de Guixols. This double concerto for violin, cello and chamber ensemble represents the start of a period in which the pieces that I am working on are all for small ensembles. Davallament, for soprano and piano. Quinteto de la sala de Levante, for clarinet and string quartet. Palau d'hivern, for soprano, clarinet and string quartet. and Concertino Geminis for solo violin and 15 string instruments. Having written large-scale works, I have now gone back to writing chamber music. We can see how, throughout my career, the sinfonia concertante form is omnipresent in almost all my earlier periods. I still haven't found a satisfactory answer to why I choose a dialogue between a soloist and an instrumental group so often. I would perhaps say that with a solo instrument it seems as if my music has to flow more effortlessly, allowing me to work more easily. Having a main character in the piece's discourse greatly helps me to develop the idea I have about the piece I want to write. In this case there are two string soloists, the violin and the cello, which of course play a major part, but without this becoming a virtuosic. As for its form, the piece is based on three parts that meet without interruption. It was first performed on 10 August 2005 at the Teatre Auditori Municipal in Sant Feliu de Guixols as part of the 43rd edition of the Porta Ferrada International Festival, by the Porta Ferrada Simfonietta orchestra and the soloists Melodie Giot and Manon Philippe, conducted by Daniel Tosi. Comentarios del Espanol. Acabe de escribir el Doble Concierto de la Porta Ferrada a principios del ano 2004. Nace como un encargo del Festival Internacional de Musica de la Porta Ferrada. Sant Feliu de Guixols. Este doble concierto, para violin, violonchelo y un conjunto de camara, abre un periodo en el que las obras que trabajo son todas para pequenos conjuntos. Davallament, para soprano y piano. Quinteto de la sala de Levante, para clarinete y cuarteto de cuerda. Palau d'hivern, para soprano, clarinete y cuarteto de cuerda. Concertino Geminis para violin solista y 15 instrumentos de cuerda. Despues de haber escrito obras de gran formato, ahora vuelvo a la musica de camara. Podemos ver como la forma concertante, a lo largo de toda mi produccion, es omnipresente en casi todas las epocas precedentes. No he encontrado una respuesta satisfactoria al porque de elegir tan a menudo el dialogo entre un solista y un grupo instrumental. Como aproximacion, diria que con un instrumento solista parece ser que mi musica tenga que fluir mas facilmente y que pueda trabajar con mas comodidad. El hecho de tener un personaje principal en el discurso de la partitura me ayuda mucho a desarrollar la idea que tengo sobre la obra que quiero escribir. En este caso se trata de dos solistas de cuerda, el violin y el violonchelo, que, como es natural, toman un papel primordial sin que, sin embargo, lleguen a alcanzar una parte virtuosistica. La obra, formalmente, se basa en tres partes que se tocan sin interrupcion. El estreno tuvo lugar el 10 de agosto de 2005 en el Teatre Auditori Municipal de Sant Feliu de Guixols, en el marco del 43 Festival Internacional de la Porta Ferrada, por la orquesta Simfonietta Porta Ferrada y las solistas Melodie Giot y Manon Philippe, bajo la direccion de Daniel Tosi.

Translation

Doble Concert de la Porta Ferrada composed by Xavier Benguerel. 1931-. For violin, cello and set of chamber instruments. Instrumental Sets. Duration 15. 00. Published by Editorial de Musica Boileau. BO.B.3338. English comments. I finished writing the Porta Ferrada Double Concerto at the beginning of 2004. I was commissioned to write it for the Porta Ferrada International Music Festival. in Sant Feliu de Guixols. This double concerto for violin, cello and chamber ensemble represents the start of a period in which the pieces that I am working on are all for small ensembles. Davallament, for soprano and piano. Quintet Levante room, for clarinet and string quartet. Palau d'hivern, for soprano, clarinet and string quartet. and Concertino Geminis for solo violin and 15 string instruments. Having written large-scale works, I have now gone back to writing chamber music. We can see how, throughout my career, the sinfonia concertante form is omnipresent in almost all my earlier periods. I still haven't found a satisfactory answer to why I choose a dialogue between a soloist and an instrumental group so often. I would perhaps say that with a solo instrument it seems as if my music has to flow more effortlessly, allowing me to work more easily. Having a main character in the piece's discourse greatly helps me to develop the idea I have about the piece I want to write. In this case there are two string soloists, the violin and the cello, which of course play a major part, but without this becoming a virtuosic. As for its form, the piece is based on three parts that meet without interruption. It was first performed on 10 August 2005 at the Teatre Auditori Municipal in Sant Feliu de Guixols as part of the 43rd edition of the Porta Ferrada International Festival, by the Porta Ferrada Simfonietta orchestra and the soloists Melodie Giot and Manon Philippe, conducted by Daniel Tosi. Spanish Comments. Finish typing the Double Concerto Porta Ferrada early year 2004. Born as a commission of the International Music Festival of the Porta Ferrada. Sant Feliu de Guixols. This double concerto for violin, cello and a set of camera opens a period in which the works that I work with are all for small sets. Davallament, para soprano y plane. Quintet Levante room, for clarinet and string quartet. Palau d'hivern, for soprano, clarinet and string quartet. Concertino for violin soloist and Gemini 15 string instruments. After writing larger works, now I return to chamber music. We can see how the concertante form, throughout my entire production is pervasive in almost all previous seasons. I have not found a satisfactory answer to why so often choose dialogue between soloist and instrumental group. As an approximation, I would say that with a solo instrument seems that my music has to flow more easily and you can work with more comfort. Having a main character in the discourse of the score helps me to develop the idea that I have about the work I want to write. In this case there are two string soloists, violin and cello, which, of course, take a leading role without, however, come to reach a virtuoso part. The work, formally, is based on three parts that are played without interruption. El estreno tuvo lugar el 10 de agosto de 2005 en el Teatre Auditori Municipal de Sant Feliu de Guixols, en el marco del 43 Festival Internacional de la Porta Ferrada, por la orquesta Simfonietta Porta Ferrada y las solistas Melodie Giot y Manon Philippe, bajo la direccion de Daniel Tosi.